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If the closure of Modernist painting is taken as the closure of painting itself, then under the aegis of postmodernism, painting's history is a finite collection of fully legible styles up for being quoted. In this circumstance, the question arises of whether there exists such a thing as an abstract painting. Judging from Morris's work, the answer is a resounding "Yes!" Her shapes, lines, colors, gestures, and surfaces function as an Ur or proto language of abstraction in which one can discern the compositional logic of Stella's black paintings, an isolated Pollock-like splatter, or a Hoffmanesque approach to the juxtaposition of color. This catalogue, the first monograph on Morris's work, contains essays by Diedrich Diederichsen and Stephen Westfall. Westfall examines Morris's relationship to contemporary urban material culture, tracing the redemptive transformation of the cheap, grimy and gauche that occurs in her paintings. Diederichsen locates the place of Morris's work within the rocky history of abstract painting, concluding ultimately that Morris's practice points out a way around the polarization of modernism's and postmodernism's constructions of the genre.
It's one of the most shocking unsolved missing-child cases in the world. Where is Kyron Horman? Why hasn't the woman who police suspect is responsible for his disappearance-Kyron's stepmother-been charged? On the last day he was seen, June 4, 2010, the boy with the toothy smile, crew cut, and glasses posed in front of his science project on frogs. Kyron grinned for a photo taken by his stepmother. She said he walked to his second-grade classroom and turned to wave at her. Then he vanished. That Kyron disappeared from his grade school got the attention of parents around the world. The twists of the case -adultery, sexting, murder-for-hire-keep the story in the spotlight. On the tenth annivers...
A gripping supernatural mystery and romance set in post-Katrina New Orleans.Rebecca couldn't feel more out of place in New Orleans. She's staying in a creepy house with her aunt, who reads tarot cards. And at the snooty prep school, a pack of filthy-rich girls treat Rebecca like she's invisible. Only gorgeous, unavailable Anton Grey gives Rebecca the time of day, but she wonders if he's got a hidden agenda. Then one night, among the oak trees in Lafayette Cemetery, Rebecca makes a friend. Sweet, mysterious Lisette is eager to show Rebecca the nooks and crannies of New Orleans. There's just one catch.Lisette is a ghost.
"With new information about Ted Bundy's childhood, interviews with those who knew him best, and the memories of the Burr family, Ted and Ann is the story of one of the 20th century's most fascinating cold cases."--Page 4 of cover.
New York Times bestselling authors Gregg Olsen and Rebecca Morris investigate the 2009 death of an Amish wife and mother found murdered in her own bed. At just 30 years old, with dark-blonde hair and freckles, Barbara Weaver was as pretty as the women depicted on the covers of her favorite "bonnet" stories - romance novels set in Amish America. Barbara had everything she'd ever wanted: five beautiful children, a home, her faith, and a husband named Eli. But while Barbara was happy to live as the Amish have for centuries - without modern conveniences, Eli was tempted by technology: cell phones, the Internet, and sexting. Online he called himself "Amish Stud" and found no shortage of "English"...
In If I Can't Have You, bestselling author Gregg Olsen and co-author Rebecca Morris investigate one of the 21st Century's most puzzling disappearances and how it resulted in the murder of two children by their father. Every once in a great while a genuine murder mystery unfolds before the eyes of the American public. The tragic story of Susan Powell and her murdered boys, Charlie and Braden, is the only case that rivals the Jon Benet Ramsey saga in the annals of true crime. When the pretty, blonde Utah mother went missing in December of 2009 the media was swept up in the story – with lenses and microphones trained on Susan's husband, Josh. He said he had no idea what happened to his young wife, and that he and the boys had been camping in the middle of a snowstorm. Over the next three years bombshell by bombshell, the story would reveal more shocking secrets. Josh's father, Steve, who was sexually obsessed with Susan, would ultimately be convicted of unspeakable perversion. Josh's brother, Michael, would commit suicide. And in the most stunning event of them all, Josh Powell would murder his two little boys and kill himself with brutality beyond belief.
Oliver looks forward to going diving on his birthday every year to see the underwater forest. But one year the underwater forest was gone. It had been eaten by hungry sea urchins. Will the underwater forest ever grow back?
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