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Trade is being weaponized – and this is not good. As politicians on both sides of the Atlantic raise the stakes, trade is increasingly a tool of coercion to achieve strategic influence. This book looks at the risks for us all as trade becomes an instrument of foreign policy, and it shows how politicians could turn things around.
The ten stories gathered here show Rebecca Harding Davis to be an acute observer of the conflicts and ambiguities of a divided nation and position her as a major transitional writer between romanticism and realism. Instead of focusing on major Civil War conflicts and leaders, she takes readers into the intimate battles fought on family farms and backwoods roads.
Despite the need to support her husband, an impoverished young lawyer, and despite editorial pressures to exclude "unfeminine" social realities from her work, Rebecca Harding Davis refused to be silent about, as she put it, the "signification [of the] voices of the world." In the stories and essays included in this anthology, Davis gave voice to working women, slaves, freedmen, fishermen, prostitutes, wives seeking divorce, celibate utopians, and female authors. These tales entail powerful confrontations with domesticity as an ideology and sentimentality as a literary mode. As typified in her most famous story, "Life in the Iron-Mills," Davis drew creatively on a variety of literary tropes from the domestic novel, travel literature, gothic tales, and regionalism in emotional calls for reform.
The ten stories gathered here show Rebecca Harding Davis to be an acute observer of the conflicts and ambiguities of a divided nation and position her as a major transitional writer between romanticism and realism. Capturing the fluctuating cultural environment of the Civil War and Reconstruction eras, the stories explore such issues as racial prejudice and slavery, the loneliness and powerlessness of women, and the effects of postwar market capitalism on the working classes. Davis’s characters include soldiers and civilians, men and women, young and old, blacks and whites. Instead of focusing (like many writers of the period) on major conflicts and leaders, Davis takes readers into the in...
From the late 1860s until her death in 1910, Rebecca Harding Davis was one of the best-known writers in America. She broke into print as a young woman in the 1860s with "Life in the Iron Mills," which established her as one of the pioneers of American realism. She developed a literary theory of the "commonplace" nearly two decades before William Dean Howels shaped his own version of the concept. Yet, in spite of her importance to the literary and popular culture of her time, she has been, for the most part, ignored by scholars. Rebecca Harding Davis and American Realism helps to change that.
This is the annotated edition of novelist/journalist Rebecca Harding Davisís 1904 autobiography, Bits of Gossip, and a previously unpublished family history written for her children. The memoirs are not traditional autobiography; rather, they are Davis's perspective on the extraordinary cultural changes that occurred during her lifetime and of the remarkable--and sometimes scandalous--people who shaped the events. She provides intimate portraits of the famous people she knew, including Emerson, Hawthorne, Louisa May Alcott, Ann Stephens, Oliver Wendell Holmes, and Horace Greeley. Equally important are Davis's commentaries on the political activists of the Civil War era, from Abraham Lincoln to Booker T. Washington, from the "daughters of the Southland" to Lucretia Mott, from Henry Ward Beecher to William Still.
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Before Women Had Rights, They Worked - Regardless. Life in the Iron Mills is a short story (or novella) written by Rebecca Harding Davis in 1861, set in the factory world of the nineteenth century. It is one of the earliest American realist works, and is an important text for those who study labor and women's issues. It was immediately recognized as an innovative work, and introduced American readers to ""the bleak lives of industrial workers in the mills and factories of the nation."" Reviews: Life in the Iron Mills was initially published in The Atlantic Monthly, Vol. 0007, Issue 42 in April 1861. After being published anonymously, both Emily Dickinson and Nathaniel Hawthorne praised the work. Elizabeth Stuart Phelps Ward was also greatly influenced by Davis's Life in the Iron Mills and in 1868 published in The Atlantic Monthly""The Tenth of January,"" based on the 1860 fire at the Pemberton Mills in Lawrence, Massachusetts. Get Your Copy Now.
Reproduction of the original: Life in the Iron-Mills by Rebecca Harding Davis