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How can Enid move forward when her marriage, as well as the world she has known, simultaneously fall apart? In the midst of the COVID 19 pandemic, Enid Alger Kimble, protagonist of Bromwich's first novel, Not Your Penance, seeks to reconcile with her past, and finds, through ruin, rebirth. Having returned to Canada and to work as a lawyer, Enid leaves her surgeon husband, Dr. Arthur Kimble. Trying to find healing and a purpose beyond the roles of wife and mother about which she has felt so ambivalent, Enid travels physically and metaphorically through the ruins of her marriage, the ruins of Classical Greece in the Aegean, and finally the remnants of her own prairie childhood. Enid undertakes a long overdue homecoming to accept the Blackfoot Nation's offer of COVID 19 vaccinations, as she journeys into single parenting her five children. As far flung and diverse as the first novel in the series is claustrophobic and tense, Ruin offers fresh perspectives on law, midlife, mothering, and divorce. It is a windswept, hope-filled story of reconciliation and redemption through the COVID 19 pandemic, midlife, law, and divorce.
Exploring the shared intersections of mothering, motherhood and sex work, Mothers, Mothering and Sex Work weaves together a range of voices from academic and sex-worker communities around the world. It features interdisciplinary contributions, scholarly essays, academic research, artwork, poetry, photography and experiential narratives. Notable among these are two modern masterpieces from literary leg- ends: “Voices,” a short story by Alice Munro and excerpts from Maya Angelou’s autobiography Gather Together in my Name. In the spirit of the adage “nothing about us without us,” Mothers, Mothering and Sex Work brings together unique and controversial viewpoints defying con- ventional wisdom to provide fresh insights into sex workers and their rights. Beginning with the political, legal and social context of sexuality and gender in Canada, the book’s focus widens to explore issues affect- ing sex workers worldwide.
Lawyers, Crown counsels, district attorneys, and paralegals are often tasked with managing negotiation and conflict resolution in the courtroom; however, very little theory or literature surrounding this specialization exists. This handbook effectively closes these gaps and extensively discusses theories of negotiation and conflict resolution in criminal practice. Part one discusses communicating effectively and appropriately with clients, court staff, and opposing counsel by identifying and establishing cultural competence, rapport, and nonverbal cues. Part two identifies alternative processes in negotiation and conflict resolution including victim-offender mediation and retroactive justice, while part three covers career development in areas such as managing challenging clients and developing strategies for dealing with high-stress scenarios. This ground-breaking resource is well suited to students in a wide variety of courses that specialize in negotiation and conflict resolution including criminal justice, law, paralegal, police studies, or criminology.
This anthology seeks to explore the complex, varied, and sometimes contradictory intersections between mothers, mothering, and environmental activism in discourse and in lived experiences. It is intended to look critically, and yet hopefully, at the ways in which feminist, Indigenous, and environmentalist challenges to the western, capitalist moral imagination are linked. It explores the reach of rape culture and the ways in which a capitalist, patriarchal society interacts with the earth as a feminine-personified identity. It also shares the hope available to all women through raising a coming generation and the great power to effect change. This work endeavours to share lessons from the Ea...
A large proportion--and in many jurisdictions the majority--of incarcerated women are mothers. Popular attention is often paid to challenges faced by children of incarcerated mothers while incarcerated women themselves often do not "count" as mothers in mainstream discourse. This is the first anthology on incarcerated mothers' experiences that is primarily based on and reflects the Canadian context. It is also trans- national in scope as it covers related issues from other countries around the world. These essays examine connections between mothering and incarceration, from analysis of the justice system and policies, criminalization of motherhood, to understanding experiences of mothers in prisons as presented in their own voices. They highlight structures and processes which shape and ascribe incarcerated woman's identity as a mother, juxtaposing it with scripted and imposed mainstream norms of a "good" or "real" mother. Moreover, these essays identify and track emergence of mothers' resistance and agency within and in spite of the confines of their circumstances.
In the landmark Lavallee decision of 1990, the Supreme Court of Canada ruled that evidence of “battered woman syndrome” was admissible in establishing self-defence for women accused of killing their abusive partners. This book looks at the legal response to battered women who killed their partners in the fifteen years since Lavallee. Elizabeth Sheehy uses trial transcripts and a case study approach to tell the stories of eleven women, ten of whom killed their partners. She looks at the barriers women face to “just leaving,” the various ways in which self-defence was argued in these cases, and which form of expert testimony was used to frame women’s experience of battering. Drawing ...
How can Enid move forward when her marriage, as well as the world she has known, simultaneously fall apart? In the midst of the COVID 19 pandemic, Enid Alger Kimble, protagonist of Bromwich's first novel, Not Your Penance,seeks to reconcile with her past, and finds, through ruin, rebirth. Having returned to Canada and to work as a lawyer, Enid leaves her surgeon husband, Dr. Arthur Kimble. Trying to find healing and a purpose beyond the roles of wife and mother about which she has felt so ambivalent, Enid travels physically and metaphorically through the ruins of her marriage, the ruins of Classical Greece in the Aegean, and finally the remnants of her own prairie childhood. Enid undertakes a long overdue homecoming to accept the Blackfoot Nation's offer of COVID 19 vaccinations, as she journeys into single parenting her five children. As far flung and diverse as the first novel in the series is claustrophobic and tense, Ruin offers fresh perspectives on law, midlife, mothering and divorce. It is a windswept, hope-filled story of reconciliation and redemption through the COVID 19 pandemic, midlife, law, and divorce.
Does Canada need any more collections about legal regulation of sex and sexuality? Volumes exist dealing with sex work and pornographies. Certainly, volumes abound dealing with emerging sexualities in Canada and new sexual freedoms. This book seeks to do more than tell a story of broad generalities about the law. It forges the links between the history of law and modern iterations of judgments pertaining to that law. Hence the uncomfortable line between Victorian morality (often) and modern regulation, is thematically explored through the book. More modern iterations of sexual regulation in Canada are being deployed and, in this book, the authors explore the interplay between emerging digita...
This book invites readers to step lightly into a transformative realm where the conventional narratives of pregnancy, motherhood, and femininity are defied, reshaped, and celebrated. In response to decades of limited portrayals of pregnant women and mothers as merely &‘ good,' &‘ bad,' or &‘ monstrous,' this anthology intervenes with a diverse array of contributions from scholars, artists, activists, and those who have lived the journey of motherhood. It brings forth a colourful mosaic of perspectives that push beyond the confines of societal norms, presenting images, writings, and creative expressions bursting with authenticity and power. This anthology is an affirmation, a celebration, and a transformative journey that invites all to join in reframing the pregnant body and the lived experiences of motherhood, and in to deeper engagements with maternal feminist writing and thought.
While the image or construct of the "good mother" has been the focus of many research projects, the "bad mother," as a discursive construct, and also mothers who do "bad" things as complicated, agentic social actors, have been quite neglected, despite the prevalence of the image of the bad mother across late modern societies. The few researchers who address this powerful social image point out that bad mothers are culturally identified by what they do, yet they are also socially recognized by who they are. Mothers become potentially bad when they behave or express opinions that diverge from, or challenge, social or gender norms, or when they deviate from mainstream, white, middle class, hete...