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Joseph Conrad's novella "Heart of Darkness" (1899) is taught and read all over the world. Everywhere, novelists and travel writers respond to it in their own creative work. I discuss 30 responses, or rewritings, from Africa, India, the Caribbean, Australia, Europe and the US. Their perspectives include those of groups who identify with Conrad's Europeans and groups who feel close to his Africans, and increasingly those of groups who situate themselves between these two extremes in various ways. I identify world-wide developments as well as themes, strategies and paradigm shifts that correlate with different geopolitical situations. Rewriters address the contribution Conrad has made to the id...
This study of Joseph Conrad's influential work "Heart of Darkness" presents for the first time the German-language reception of this reference text in the debate on postcolonialism. The spectrum ranges from Conrad's contemporaries (like Kafka) to many canonical authors of the 20th century (including Thomas Mann, Ernst Jünger, Christa Wolf) to the most recent names in literature (i.e. Christian Kracht und Lukas Bärfuss). Beyond the readings of their works, the study contributes to the study of cultural transfers as well as to Conrad philology, and it expands the theory of intertextuality with parameters that capture the complex factor of power in postcolonial relations.
Barbara Kingsolver's books have sold millions of copies. The Poisonwood Bible was nominated for the Pulitzer Prize, and her work is studied in courses ranging from English-as-a-second-language classes to seminars in doctoral programs. Yet, until now, there has been relatively little scholarly analysis of her writings. Seeds of Change: Critical Essays on Barbara Kingsolver, edited by Priscilla V. Leder, is the first collection of essays examining the full range of Kingsolver's literary output. The articles in this new volume provide analysis, context, and commentary on all of Kingsolver's novels, her poetry, her two essay collections, and her full-length nonfiction memoir, Animal, Vegetable, ...
Diese Studie über Joseph Conrads einflussreiches Werk Heart of Darkness stellt erstmals die deutschsprachige Rezeption dieses Referenztextes der Postkolonialismusdebatte dar. Das Spektrum reicht dabei von Zeitgenossen Conrads über viele kanonische Autoren des 20. Jahrhunderts bis zu den rezentesten Namen des Literaturbetriebs (u.a. Kracht, Buch, Bärfuss). Über die Lektüren ihrer Werke hinaus trägt die Studie zur Erforschung von Kulturtransfers sowie zur Conrad-Philologie bei und sie erweitert die Theorie der Intertextualität um Parameter, die den komplexen Faktor Macht in postkolonialen Verhältnissen erfassen.
Cet ouvrage examine les rapports entre création littéraire contemporaine et politique, dans les littératures francophones - Afrique noire, Maghreb, Antilles, Québec. Il s'attache à identifier et caractériser les figurations du politique. Les oeuvres littéraires jouent à la fois d'une représentation du politique et d'une réflexivité au regard de cette représentation. Cette représentation n'est pas dissociable d'une pensée de l'histoire et du pouvoir, qui choisit d'être indépendante des paradigmes occidentaux. Ces littératures aident aujourd'hui à penser le devenir et le futur des pays qu'elles évoquent - au-delà des impasses politiques contemporaines. Elles s'attachent à des perspectives, qui dessinent la communauté publique à venir.
This book traces the ways in which problems of imaginative authority and authorship structure the fiction and non-fiction of V.S. Naipaul and resonate in postcolonial literature. Imraan Coovadia argues that the post-colonial societies Naipaul studies in novels such asA Bend in the RiverandGuerillasare defined by the fragility of their authority. Coovadia demonstrates through close reading, how Naipaul, born in Trinidad to an Indian family and resident of the United Kingdom,asserts hisimaginative authority over many different situations across the globe through a complex literary rhetoric.
Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study. Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps th...
Returning to revolution's original meaning of 'cycle', Contemporary Revolutions explores how 21st-century writers, artists, and performers re-engage the arts of the past to reimagine a present and future encompassing revolutionary commitments to justice and freedom. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States. The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement.
This book examines how ideas about place and space have been transformed in recent decades. It offers a unique understanding of the ways in which postcolonial writers have contested views of place as fixed and unchanging and are remapping conceptions of world geography, with chapters on cartography, botany and gardens, spice, ecologies, animals and zoos, and cities, as well as reference to the importance of archaeology and travel in such debates. Writers whose work receives detailed attention include Amitav Ghosh, Derek Walcott, Jamaica Kincaid, Salman Rushdie, Michael Ondaatje and Robert Kroetsch. Challenging both older colonial and more recent global constructions of place, the book argues for an environmental politics that is attentive to the concerns of disadvantaged peoples, animal rights and ecological issues. Its range and insights make it essential reading for anyone interested in the changing physical and human geography of the contemporary world.
Semiotic Encounters: Text, Image and Trans-Nation aims at opening up scholarly debates on the contemporary challenges of intertextuality in its various intersections with postcolonial and visual culture studies. Commencing with three theoretical contributions, which work towards the creation of frameworks under which intertextuality can be (re)viewed today, the volume then explores textual and visual encounters in a number of case studies. While (a) the dimension of the intertextual in the traditional sense (as specified e.g. by Genette) and (b) the widening of the concept towards visual and digital culture govern the structure of the volume, questions of the transnational and/or postcolonial form a recurrent subtext. The volume’s combination of theoretical discussions and case studies, which predominantly deal with ‘English classics’ and their rewritings, film adaptations and/or rereadings, will mainly attract graduate students and scholars working on contemporary literary theory, visual culture and postcolonial literatures.