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Sufi Music of India and Pakistan
  • Language: en
  • Pages: 296

Sufi Music of India and Pakistan

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

This book is a ground-breaking study of cultural performance. Specifically it is about Qawwali, conventionally understood as the music of Sufism in South Asia. One of the most highly regarded scholars in ethnomusicology, Regula Qureshi comes with a unique set of tools to bear on this study.

Sufi Music of India and Pakistan
  • Language: en
  • Pages: 298

Sufi Music of India and Pakistan

  • Type: Book
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  • Published: 1986
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  • Publisher: CUP Archive

Qureshi's study carefully describes and documents the performance and rules of Qawwali music in the traditional Sufi assembly.

Master Musicians of India
  • Language: en
  • Pages: 354

Master Musicians of India

  • Type: Book
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  • Published: 2016-05-06
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  • Publisher: Routledge

Beginning with Ravi Shankar and Ali Akbar Khan, Indian art music is renowned internationally for its improvised raga performance. This ancient tradition has for centuries been transmitted orally within the seclusion of hereditary families. Few such families remain today, and not enough is known about their central contribution to the life of Indian music. Master Musicians of India reveals this rich world through profiles and interviews of key musicians from this tradition.

Music and Marx
  • Language: en
  • Pages: 269

Music and Marx

  • Type: Book
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  • Published: 2013-11-05
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  • Publisher: Routledge

Well-known contributors analyze the ways in which Marxist thought enters into music discourse. Exploring everything from Marxism in hip-hop to feudal properties of Hindustani music to revolutionary music of Central America, the essays in this book find surprising, paradigm-shifting revelations. This book will revolutionize the way music production and consumption is viewed. First published in 2002.

The Oxford Handbook of Critical Concepts in Music Theory
  • Language: en
  • Pages: 849

The Oxford Handbook of Critical Concepts in Music Theory

Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.

Sufi Music of India and Pakistan
  • Language: en

Sufi Music of India and Pakistan

  • Type: Book
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  • Published: 1988
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  • Publisher: Unknown

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Enchanting Powers
  • Language: en

Enchanting Powers

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

The Confucian Sacrificial Ceremony, the Choctaw ball game, the chanting of the Qur'an, these are some of the topics addressed in this collection of essays by eminent scientists as they consider the links between music and religion in world culture.

Rethinking Music
  • Language: en
  • Pages: 594

Rethinking Music

Rethinking Music reflects the ideas of 24 distinguished musicologists as they evaluate current thinking about music, its social and ethical dimensions and the relationship between academic study and direct musical experience.

The Courtesan's Arts
  • Language: en
  • Pages: 428

The Courtesan's Arts

  • Type: Book
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  • Published: 2006-03-23
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  • Publisher: OUP USA

Courtesans, hetaeras, tawaif-s, ji-s--these women have exchanged artistic graces, elevated conversation, and sexual favors with male patrons throughout history and around the world. In Ming dynasty China and early modern Italy, exchange was made through poetry, speech, and music; in pre-colonial India through magic, music, chemistry, and other arts. Yet like the art of courtesanry itself, those arts have often thrived outside present-day canons and modes of transmission, and have mostly vanished without trace.The Courtesan's Arts delves into this hidden legacy, while touching on its equivocal relationship to geisha. At once interdisciplinary, empirical, and theoretical, the book is the first...

The Art of Reciting the Qur'an
  • Language: en
  • Pages: 272

The Art of Reciting the Qur'an

For the Muslim faithful, the familiar sound of the Qurʾanic recitation is the predominant and most immediate means of contact with the Word of God. Heard day and night, on the street, in taxis, in shops, in mosques, and in homes, the sound of recitation is far more than the pervasive background music of daily life in the Arab world. It is the core of religious devotion, the sanctioning spirit of much cultural and social life, and a valued art form in its own right. Participation in recitation, as reciter or listener, is itself an act of worship, for the sound is basic to a Muslim’s sense of religion and invokes a set of meanings transcending the particular occasion. For the most part, Wes...