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BOOKS. BOMBAY. ROMANCE.When her estranged father passes away, Fiza, fresh out of college, discovers that he has left her a tidy sum in the hope that she will open a bookshop... Overnight, Fiza's placid life is thrown into a whirl of decor decisions and book-buying sprees, unconventional staff and colourful patrons, small pleasures and little heartbreaks, as the store -- Paper Moon -- begins to take shape in a charming, old Bandra mansion. To top it all, she is being wooed by Iqbal, a mysterious customer who frequents the shop, and Dhruv, her ex-boyfriend, her feelings for whom are still confused. Can Fiza take charge of her life, reconcile with the past, and reach for everything that is hers?
Contributed articles on the work and contribution of Indian poetesses.
The Innocent Wife Vivan Parasher has waited patiently for revenge. But when he gets it he feels the Dewan family still owe him more. Then the beautiful sister of his nemesis walks into his office, willing to do anything to save her brother from Vivan’s vengeance...
There is nothing really wrong with Priya Bakshi and Akash Srivastav's six-year-old marriage ... except that Priya is having an affair. And Akash, too, seems to be on the lookout for sexual adventure. When Tarun, their richer, older, and manipulative friend, tells them about Delhi's couple-swapping parties, Akash wants to jump right in. With some reluctance, Priya agrees to give him company. Soon, Priya and Akash find themselves in a world of swinging couples and sexual abandon, joined by friends who are equally keen to test the waters. But as the clothes come off and the secrets begin to tumble out, it seems that none of them will emerge unscathed.Witty and racy, The Swap is a sparkling social novel about sex, marriage and morality.
'Neharika Gupta puts together an entertaining motley crew of characters who refuse to grow up, till the end of the book that is. A must-read for wannabe adults!' - Abish Mathew, Standup Comedian 'Neharika Gupta's characters will stay with you long after you finish the book.' - Ravinder Singh, Bestselling Author Social media manager and popular blogger Aisha is flirty and flamboyant ... even as she battles personal demons that tell her she must stop eating if she wants to stay pretty.Ruhi couldn't be more different from her friend Aisha. Working at Litracy Publishing, she feels grossly under-appreciated by the editor-in-chief, who happens to be her mother. What keeps her going are her own ambitions - and her handsome author Tejas.Bestselling novelist Tejas has a bad case of writer's block. He leans on Ruhi for emotional support before getting enamoured by Aisha as he struggles to live up to everyone's expectations, including his own.Bold and unapologetic, this is a story of love and self-discovery, heartache and book launches.
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She lives in a forest hamlet in Orissa. With a father presumed dead and a mother gone missing, Susanthi Bodra is compelled to become a breadwinner at the age of twelve. Eight-year-old Nelli runs away from her mistress’s home, but is kidnapped and sold into a brothel in Nagpur. Two decades have passed, and she is yet to return to her hamlet Kithapur. Gowravva, her mother, is on the hunt to find her precious daughter. From the home of the Lesser Known Goddess to the chilli fields of a mother who has long lost her daughter; from the plush residence of a powerful minister to a vedic ashram, Nainika Chandra, a journalist and the narrator in Hunger’s Daughters, brings together the stories of young breadwinners from the forest hamlets of Jharkhand, Orissa and Karnataka. The book binds the unexplored shades of poverty and power, with an underlying story of love.
Bombay was the city everyone came to in the early decades of the nineteenth century: among them, the Goans and the Mangaloreans. Looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena). Lovers and haters, friends and family, married men and determined singles, churchgoers and abstainers, Bombay Balchão is a tangled tale of ordinary lives - of a woman who loses her husband to a dockyard explosion and turns to bootlegging, a teen romance that drowns like a paper boat, a social misfit rescued by his addiction to crosswords, a wife who tries to exorcise the spirit of her dead mother-in-law from her husband, a rebellious young woman who spurns true love for the abandonment of dance. Ordinary, except when seen through their own eyes.
In Criminal Sentencing in Bangladesh, Muhammad Mahbubur Rahman critically examines the sentencing policies of Bangladesh and demonstrates that the country’s sentencing policies are not only yet to be developed in a coherent manner and shaped with an appropriate and contextual balance, but also remain part of the problem rather than part of the solution. The author forcefully argues that the conception of ‘sentencing policies’ cannot and should not always be confined exclusively to institutional understandings. The typical realities of post-colonial societies call for rethinking the traditional judiciary-centred understanding of what is meant by criminal sentences. This book thus raises the question for theoretical sentencing scholarship whether the prevailing judiciary-centred understanding of sentencing should be rethought.