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The Cambridge Companion to F. Scott Fitzgerald
Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.
The Cambridge Companion to Hemingway
A comprehensive introduction to Hemingway and his works.
Hemingway and Italy
“A true gift for Hemingway aficionados! With previously unpublished work by Hemingway, memories of the writer by those who knew him, and essays by an outstanding international team of scholars, this collection deepens our understanding of Hemingway’s relationship to a country that he loved and that was central to his fiction.”—Carl P. Eby, author of Hemingway’s Fetishism: Psychoanalysis and the Mirror of Manhood “These extremely powerful essays bring a richer and more cosmopolitan understanding of the Italian underpinnings of Hemingway’s writing.”—Linda Patterson Miller, editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends “A useful experience fo...
Borderlines
Borderlines. Autobiography and Fiction in Postmodern Life Writing locates and investigates the borderlines between autobiography and fiction in various kinds of life-writing dating from the last thirty years. This volume offers a valuable comparative approach to texts by French, English, American, and German authors to illustrate the different forms of experimentation with the borders between genres and literary modes. Gudmundsdóttir tackles important contemporary concerns such as autobiography’s relationship to postmodernism by investigating themes such as memory and crossing cultural divides, the use of photographs in autobiography and the role of narrative in life-writing. This work is of interest to students and scholars of comparative literature, postmodernism and contemporary life-writing.
For Whom the Bell Tolls
Presented by Hemingway's grandson Seán Hemingway, with a personal foreword by the author’s son Patrick Hemingway, this new enhanced Library Edition of Ernest Hemingway's masterpiece about an American in the Spanish Civil War features early drafts and supplementary material, including three previously uncollected short stories on war by one of the greatest writers on the subject in history. In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from “the good fight,” and one of the foremost classics of war literature in history. Published in 1940, For Whom the Bell To...
Chronicling Trauma
To attract readers, journalists have long trafficked in the causes of trauma--crime, violence, warfare--as well as psychological profiling of deviance and aberrational personalities. Novelists, in turn, have explored these same subjects in developing their characters and by borrowing from their own traumatic life stories to shape the themes and psychological terrain of their fiction. In this book, Doug Underwood offers a conceptual and historical framework for comprehending the impact of trauma and violence in the careers and the writings of important journalist-literary figures in the United States and British Isles from the early 1700s to today. Grounded in the latest research in the field...
War in Ernest Hemingway's A Farewell to Arms
This critical volume explores the life and work of Ernest Hemingway, focusing particularly on the themes of war in his novel A Farewell to Arms. Readers are presented with a series of essays which lend context and expand upon the themes of the book, including viewpoints on the reasons for, and the aftereffects of, war. Contemporary perspectives on PTSD, foreign policy, and military spending allow readers to further connect the events of the book to the issues of today's world.
Performative Criticism
Genre-bending experiments that appropriate, impersonate, and speak through already-created literary characters in order to offer fresh interpretations of well-known literary works.
The Trumpet of Reform
The influence of German literature and philosophy on American intellectuals in 19th-century New England. German literature played an important part in the formation of the minds and imaginations of progressive nineteenth-century New England intellectuals; this study looks especially at the Transcendentalists of the Concord circle, presenting five portraits of authors and their worlds -- Ralph Waldo Emerson, Margaret Fuller, Henry David Thoreau, Bronson Alcott, and Louisa May Alcott -- showing that each had a peculiarly productive relationship with the literature and intellectual traditions of Germany. The two main chapters of this study are devoted to Emerson and Fuller. Emerson learned Germ...
Casual Affairs
In Casual Affairs, Maryellen V. Keefe vividly follows the life and career of Sally Benson, the New Yorker writer remembered by generations of moviegoers for Meet Me in St. Louis, the film that brought her family to life. Keefe traces Benson's life from her childhood in St. Louis to marriage and motherhood to her award-winning fiction career and her success as a Hollywood screenwriter. Through the Jazz Age and into the 1930s and '40s, Benson negotiated the transition from domesticity to the marketplace, becoming a full-fledged career woman while juggling her responsibilities as a wife and mother and indulging in several "quiet little affairs." She succeeded early in a profession dominated by men, forging her way in a largely male world and winning the support and friendship of colleagues and editors. Benson established herself as a writer known for brutally honest portraits of middle-class women much like herself.
