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A Publishers Weekly Best Book of 2019 Why do we make things by hand? And why do we make them beautiful? Led by the question of why working with our hands remains vital and valuable in the modern world, author and maker Melanie Falick went on a transformative, inspiring journey. Traveling across continents, she met quilters and potters, weavers and painters, metalsmiths, printmakers, woodworkers, and more, and uncovered truths that have been speaking to us for millennia yet feel urgently relevant today: We make in order to slow down. To connect with others. To express ideas and emotions, feel competent, create something tangible and long-lasting. And to feed the soul. In revealing stories and gorgeous original photographs, Making a Life captures all the joy of making and the power it has to give our lives authenticity and meaning.
This book describes a novel, cross-linguistic approach to machine translation that solves certain classes of syntactic and lexical divergences by means of a lexical conceptual structure that can be composed and decomposed in language-specific ways. This approach allows the translator to operate uniformly across many languages, while still accounting for knowledge that is specific to each language.
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This volume presents a comprehensive introduction to the study of second language learning, multilingualism and gender. An impressive array of papers situated within a feminist poststructuralist framework demonstrates how this framework allows for a deeper understanding of second language learning, a number of language contact phenomena, intercultural communication, and critical language pedagogy. The volume has wide appeal to students and scholars in the fields of language and gender, sociolinguistics, SLA, anthropology, and language education.
In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats. Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women’s embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture. Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers’ work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists’ visual literacy. Affinities with older textile practices include the region’s lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects’ creation elevates kantha beyond consideration as mere handcraft to recognition as art.
Radical Sewing is a guide for learning how to make your own clothes. Kate introduces you to the basics and best practices of garment sewing for yourself at home, as well as advice and info on things you wouldn’t even know to ask about sewing. Topics include hand sewing, picking out a sewing machine, adding pockets to anything, sewing a button so it stays on, altering your clothes to fit your unique body, and so much more! Regardless of your sewing experience, gender, or body type, this illustrated guide will empower you to make your wardrobe your own. With loads of encouragement to try things out, all you’ll need to do is experiment and break the rules to create the clothes and outfits that you want to wear.
“Kahraman kadın olduğunda, yolculuk hikâyeleri mutlu sonla bitmez pek. (…) Kadınların yolculukları ta baştan, bir kadının yola çıkmasının uygunsuzluğundan itibaren zordur. (…) Zordur, canavarlarla savaşırken bile bir yandan dökülen kanı temizlemeleri, dağınıklığı toparlayıp korkanları yatıştırmaları, yaralılara el uzatmaları gerekir… Yürüyüp gidemezler, gitseler, akılları arkada kalır. (…) Bana öyle geliyor ki, yola çıkan bir kadınsa, geçip gitmiyor da bir parçası hep geride kalıyor. Yani sadece aklı kalmıyor, izi de kalıyor. Diyelim kendisine büyülü iksiri verecek yaşlı cadıyla karşılaştı, iksiri alıp yoluna devam...
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First multi-year cumulation covers six years: 1965-70.