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War Stories
Plains Indian biographic rock art can be “read” by those knowledgeable in its lexicon. Presented is a lexicon of imagery, conventions, and symbols used by Plains Indians to communicate their warfare and social narratives. The reader is introduced to Plains Indian “warrior” art in all media, biographic art as picture writing is explained, and the lexicon is described, providing a pictographic “dictionary,” and explains conventions and connotations. Finally, it illustrates four key examples of how these narratives are read by the observer. Familiarity with the lexicon will enable interested scholars and laypersons to understand what are otherwise enigmatic rock art drawings found from Calgary, Alberta through ten U.S. states, and into the Mexican state of Coahuila.
Normativity in African Regional Relations
In cases that involve domination of, and discrimination against, minorities, the most common solution is the promotion of minority rights. However, this book contends that in the context of migrant minorities in Africa, appealing to minority rights is not a workable solution due to the historical abuses and discrimination of minorities both within and across African states. Through insightful philosophical analysis, Abumere argues for a new normative international relations among African states, which includes the adoption of minority rights, but does not rely on them. He analyses the possible consequences of the newly ratified African Continental Free Trade Agreement, looking at how it may encourage a more integrated Africa, but also may increase the chances of domination and discrimination against minorities. Abumere explains that in order to have normative international relations that transcends realist-rationalist fundamentalism, African states must be amenable to a fusion of horizons.
The Nigerian Field
Includes section: "Society notices."
Plains Indian Rock Art
The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used ro...
Shields
Published to accompany the exhibition held at the Mona Bismarck Foundation, Paris, 10 September - 28 November 1998, and then touring Europe.
Banjo Roots and Branches
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Iron, Gender, and Power
"[Herbert] has constructed a model of power relationships structured upon gender and age, and derived from male transformative processes, and in so doing has written a notable, and most enjoyable, book." -- African History "Herbert examines with great care and thoroughness the relationships between gender and power and the rationales that give them social form.... [Her] analytical ability is outstanding." -- Patrick McNaughton "This book is a well-written and essential study of the place of belief in African material culture." -- International Journal of African Historical Studies Herbert relates the beliefs and practices associated with iron working in African cultures to other transformative activities -- chiefly investiture, hunting, and pottery making -- to propose a gender/age-based theory of power.
The Devil's Disciples
Approaching the subject as a legal and social historian, Peter Charles Hoffer offers a fresh look at the Salem outbreak based on recent studies of panic rumors, teen hysteria, child abuse, and intrafamily relations. He brings to life a set of conversations -- in taverns and courtrooms, at home and work -- which took place among suspected witches, accusers, witnesses, and spectators. The accusations, denials, and confessions of this legal story eventually resurrect the tangled internal tensions that lay at the bottom of the Salem witch hunts.
