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Pixerécourt and the French Romantic Drama
Explore the history of French Romantic drama and its influence on contemporary theater with this insightful book on Étienne de Jouy and René-Charles Guilbert de Pixerécourt. This book provides a detailed analysis of Pixerécourt's most important works and offers a comprehensive overview of his life, his intellectual milieu, and the development of Romanticism in France. Perfect for theater scholars and enthusiasts alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Tale of Mystery
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The Militant Hackwriter
While Louis XVIII, Charles X, and Louis Philippe ruled in France, a vast majority of politically unenfranchised Frenchmen were developing their own subculture. Only recently literate, they fashioned their own literature. It consisted of two important genres: the popular novel and the melodrama. As we trace these genres from the turn of the nineteenth century until that moment of February 25, 1848, when the Second Republic was declared, we are also led to a detailed scrutiny of the injustices which the immense majority of the French suffered and of the political causes they espoused. The succession of heroes and villains in their literature mirrored accurately the fears and hopes they felt.
Four Melodramas
This volume contains four of Pixérécourt's most important melodramas: The Ruins of Babylon, or Jafar and Zaida; The Dog of Montargis, or The Forest of Bondy; Christopher Columbus, or the Discovery of the New World; and Alice, or The Scottish Gravediggers. Also included is Charles Nodier 's introduction to the 1843 Collected Edition of Pixérécourt's plays and two theoretical essays by the playwright, "Melodrama," and "Final Reflections on Melodrama."
Reading Critics Reading
This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treatthe journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses;they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.
The American Play
In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
Theatre and Modernity
This study aims to disclose the inner dynamics of the rich and diverse milieu within the Ottoman-Turkish society that created its unique hybrid forms through the scenic arts against an understanding of modernity in terms of a simple import or imitation of Western cultural forms. In the 19th century Armenians pioneered this process with melodramas, necessitating the presence of female performers on the stage; Armenian women thus went onstage with patriotic motives. Among the two leading figures of the Turkish Republic period are Nazim Hikmet, the most prolific but severely censured Turkish dramatist and Muhsin Ertugrul, who founded the subsidised theatres of Ankara and Istanbul. A later phase of modernisation arrives in the sixties with a social awakening towards the conditions of the rural society: Ankara becomes the seat of "popular" theatre after the founding of Ankara Art Theatre, in 1961. Mehmet Ulusoy's work in France in the 1970–1980s crowns the final synthesis.
The Purchase of the Past
Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.
