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Reading Contemporary African Literature
Reading Contemporary African Literature brings together scholarship on, critical debates about, and examples of reading African literature in all genres – poetry, fiction, and drama including popular culture. The anthology offers studies of African literature from interdisciplinary perspectives that employ sociological, historical, and ethnographic besides literary analysis of the literatures. It has assembled critical and researched essays on a range of topics, theoretical and empirical, by renowned critics and theorists of African literature that evaluate and provide examples of reading African literature that should be of interest to academics, researchers, and students of African literature, culture, and history amongst other subjects. Some of the essays examine authors that have received little or no attention to date in books on recent African literature. These essays provide new insights and scholarship that should broaden and deepen our understanding and appreciation of African literature.
Death, Belief and Politics in Central African History
In this set of essays Walima T. Kalusa and Megan Vaughan explore themes in the history of death in Zambia and Malawi from the late nineteenth century to the present day. Drawing on extensive archival and oral historical research they examine the impact of Christianity on spiritual beliefs, the racialised politics of death on the colonial Copperbelt, the transformation of burial practices, the histories of suicide and of maternal mortality, and the political life of the corpse.
A Democracy of Chameleons
After thirty years of autocratic rule under "Life President" Kamuzu Banda, Malawians experienced a transition to multi-party democracy in 1994. A new constitution and several democratic institutions promised a new dawn in a country ravaged by poverty and injustice. This book presents original research on the economic, social, political and cultural consequences of the new era. A new generation of scholars, most of them from Malawi, cover virtually every issue causing debate in the New Malawi: poverty and hunger, the plight of civil servants, the role of the judiciary, political intolerance and hate speech, popular music as a form of protest, clergy activism, voluntary associations and ethnic revival, responses to the HIV/AIDS pandemic, and controversies over women's rights. Both chameleon-like leaders and the donors of Malawi's foreign aid come under critical scrutiny for supporting superficial democratization. The book ends with a rare public statement on the New Malawi by Jack Mapanje, Malawi'sinternationally acclaimed writer.
The Unsung Song
An introduction to contemporary literature in Malawi, comprising short stories, poetry, and some opening essays on literary genres. The anthology contains pieces from some fifty writers, amongst whom are Immanuel Bofomo; Steve Chimombo; Andrew Tilimbike Kulemeka; Ken Lipenga; Levi Zeleza Manda - author of the title story; Jack Mapanje; Francis Moto; Lupenga Mphande; Edson Mpina - President of Malawi Pen and Malawi Writers Union; Felix Mnthali; Anthony Nazombe; Norah Ngoma; and David Rubadiri. The editors have been or are all engaged in various literary and research activities at the University of Malawi.
Malawi's Lost Years (1964-1994)
Malawi is a small and poorly known country, but the crimes committed against its people by the brutal dictatorship of Dr Hastings Kamuzu Banda are a part of our shared human history. It is about what happens when governments turn state violence on their own people with impunity. The book gives voice to Malawians who were arbitrarily imprisoned, who fled for their lives into exile, or who suffered silently under the regime's state-sponsored terror from 1964 to 1994. These are not easy stories for the victims to tell and people in power do not want them to be made public. To add to the indignity endured by the regime's victims, Malawi's current leadership has been rehabilitating Banda's image and honouring him, despite well-documented reports of atrocities and abuse of human rights. Nevertheless, even unpleasant history must be openly faced, discussed and acknowledged to provide lessons for the future. The book helps redress this one-sided revision of Malawian history. Fifty years after independence, the Malawi people continue to suffer in absolute poverty and in greater numbers than ever, because the lessons of history from Malawi's lost years have not been learned.
Rap Music and the Youth in Malawi
Rap Music and the Youth in Malawi is one of the first book-length studies of Malawian hip hop. It studies the language and content of contemporary Malawian hip hop as a window onto the country's youth culture as Malawian young people negotiate what scholar Alcinda Honwana calls 'waithood,' or the condition, common among Malawian youth, of lacking opportunities to advance from a situation of dependence and being stuck in a state of relative childhood. The book argues that rap music made by Malawian youth music speaks of – and represents, through its very agency – their need to break out of this stagnant state. After situating Malawian hip hop with respect to both other musical genres in t...
The Cambridge Companion to Postcolonial Poetry
This Companion is the first to explore postcolonial poetry through regional, historical, political, formal, textual and gender approaches.
Bibliographie Internationale D'anthropologie
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
No More to Spend
Using the political and medical history of Malawi as a fundamental example, Luke Messac explains relationship between a nation's political history and its approaches to health care.
Political Culture and Nationalism in Malawi
Inspired by the events leading up to the overthrow of Dr. Hastings Kamuzu Banda's Life Presidency, this book explores the deep logic of Malawi's political culture as it emerged in the colonial and early post-colonial periods. It draws on archival sources from three continents and oral testimonies gathered over a ten-year period provided by those who lived these events. Power narrates how anti-colonial protest was made relevant to the African majority through the painstaking engagement of politicians in local grievances and struggles, which they then linked to the fight against white settler domination in the guise of the Central African Federation. She also explores how Dr. Banda (leader of ...
