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Marilyn Booth's elegantly conceived study reveals the Arabic tradition of life-writing in an entirely new light. Though biography had long been male-authored, in the late nineteenth century short sketches by and about women began to appear in biographical dictionaries and women's journals. By 1940, hundreds of such biographies had been published, featuring Arabs, Turks, Indians, Europeans, North Americans, and ancient Greeks and Persians. Booth uses over five hundred "famous women" biographies—which include subjects as diverse as Joan of Arc, Jane Austen, Aisha bt. Abi Bakr, Sarojini Naidu, and Lucy Stone—to demonstrate how these narratives prescribed complex role models for middle-class...
This is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.
No justification is needed for the selection of the much-studied but inexhaustible general theme of the new annual publication. Orientations: the history of the numerous and multifarious relations and contacts between the Middle East and the West, political, economic, cultural and literary. In the first volume, entitled The Middle East and Europe: Encounters and Exchanges, Jacques Waardenburg provides a broad survey of Muslim attitudes towards other religions in the medieval period. Mercedes García-Arenal compares the methods of Spanish conquest and evangelization in Spain and in the New World. The Dutch share in the 17th-century slave trade in Yemen is studied by C.G. Brouwer. The life of ...
This handbook aims mainly at an analytical documentation of all the known textual remnants and the preserved artifacts of Arabic shadow theatre, a long-lived, and still living, tradition — from the earliest sightings in the tenth century to the turn of the twentieth century. The book consists of three main parts and a cluster of appendixes. Part One presents a history of Arab shadow theatre through a survey of medieval and premodern accounts and modern scholarship on the subject. Part Two takes stock of primary sources (manuscripts), published studies, and the current knowledge of various aspects of Arabic shadow theatre: language, style, terminology, and performance. Part Three offers an inventory of all known Arabic shadow plays. The documentation is based on manuscripts (largely unpublished), printed texts (scripts, excerpts), academic studies (in Arabic and Western languages), journalist reportage, and shadow play artifacts from collections worldwide.
This volume provides an authoritative survey of creative writing in Arabic from the mid-nineteenth century to the present day.
One of the first internationally published overviews of theatrical activity across the Arab World. Includes 160,000 words and over 125 photographs from 22 different Arab countries from Africa to the Middle East.
This study is the first attempt to reconstruct the prehistory of Arabic by examining lexical evidence of its symbiotic relationship with Ancient Egyptian already apparent from the Pyramid Texts (c. 2613–2181 BC). It documents the contention that Ancient Egypt was a strategic site in its early prehistory.
The IOS Annual Volume 21. “Carrying a Torch to Distant Mountains” brings forth cutting-edge studies devoted to a wide array of fields and disciplines of the Middle East, from the beginning of civilization to modern times.
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