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This fully illustrated book discusses arts from the Iberian Peninsula and Hispanic America from the time of the Reconquest of Granada to the decline of the Hapsburg dynasty in Spain. It includes paintings, sculpture, books and engravings, tapestries, furnishings, ceramics and architecture.
Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, Apr. 20-July 27, 2008 and at the Nasher Museum of Art at Duke University, Aug. 21-Nov. 9, 2008.
Experiences from incentive-based forest management are examined for their effects on the livelihoods of local communities. In the second section, country case studies provide a snapshot of REDD developments to date and identify design features for REDD that would support benefits for forest communities.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
"This text reappraises an art form crucial to the development of Spanish art. In 16th and 17th-century Spain, sculptors worked in a unique relationship with painters, combining their skills to depict, with astonishing realism, the great religious themes"--OCLC
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