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The solemn beatification of Pope Pius IX in September 2000 celebrated the heroic virtue of one of the most influential figures of the nineteenth century. Born in 1792, Giovanni Maria Mastai Ferretti was elected Pope on June 16th 1846. His pontificate, the subject of this biographical study, lasted thirty-two years, the longest after that of St Peter himself. Elevated to the Papacy amid the historical backdrop of turmoil and revolution in Italy and Europe, he was also to play a central role in the drama of the Risorgimento that led to the creation of a united Italy. Publication of the English translation of Roberto de Mattei's acclaimed study of Pius IX marks the 150th anniversary of the Pope's solemn definition of the Dogma of Our Lady's Immaculate Conception. Roberto de Mattei holds the chair of Modern History at the University of Cassino (Rome), is vice president of the Italian C.N.R. (National Council for Research) and is well-known in Italy as a journalist and writer.
In ten chapters, partly case-studies, this monograph analyzes the (new) ways in which cultural manifestations were used to create the necessary preconditions for (religious) policy and power in the Rome of Urban VIII (1623-1644). It was the intensified interaction between culture and power-politics that created what we now call ‘the Baroque’. Based on a rich variety of, hitherto largely unexplored, primary sources, the book addresses the basic issues of papal power in the post-Tridentine period. It does not study actual papal politics, but rather the cultural forms that were essential to the representation and legitimatization of the papacy’s power, both secular and religious and that (co-)determined the effectiviness of papal policy. Precisely during Urban’s long pontificate, the manifold, always imaginative and often unexpected uses of power representation became, in the end, not so much a series of cultural forms as, in a sense, the structure of early modern (Roman) society.
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"Our analysis shall focus on the music of Polish composers of the baroque period, i.e. from the seventeenth and first half of the eighteenth century."--Page 45.
This is a general account of the history and architecture of Crusader castles in the Kingdom of Jerusalem, County of Tripoli and Principality of Antioch between 1099 and 1291, the years during which the Crusaders had a permanent presence on the Levantine coast. Extensive use is made of contemporary chronicles to show the reasons why castles were built and how they were used in peace and war. The book is fully illustrated by photographs, drawings and plans, and contains a comprehensive bibliography.
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