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Anticlockwise
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The arrival of Tara King and Mother saw The Avengers shaken and stirred, as writers and directors playfully engaged with a variety of film and television genres. Steed and Tara face increasingly odd adventures and dangers: killer clowns, a giant nose, love drugs, deadly board games, duplicate Steeds, Victorian fog, an underground 'paradise', and vengeful Home Counties cowboys. Anticlockwise draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the surreal, unpredictable, psychedelic world of Tara King. "The Avengers challenged audiences to enjoy art beyond the ordinary." (Matthew Lee) "The Avengers is a wonderful example of avoiding the tyranny of common sense." (Robert Fuest)
Mrs. Peel, We're Needed
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The monochrome filmed Emma Peel season had established a cult following for a series which became an intrinsic part of the 'Swinging Sixties'. Backed by US dollars, the show was now filmed 'in color' and Avengerland becomes stranger and more playful than ever: Steed is shrunk to the size of a desk pad, forced to evade a machine-gun-toting nanny; Emma Peel is tortured in a medieval ducking stool and turned into a living cybernaut. Mrs. Peel, We're Needed draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the wonderfully mad Technicolor world of Emma Peel.
Bright Horizons
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. At the crossroads between the Cathy Gale-era stricture of video tape and the glossy, surreal, comic-strip world of 'glorious Technicolor', the monochrome filmed Emma Peel season represents the artistic pinnacle of a show which was exported around the world and remains the only British television drama to be networked at 'primetime' in the USA. Bright Horizons draws on the knowledge of a broad range of experts and fans of The Avengers - including scriptwriter Roger Marshall - offering critical explorations of all twenty-six 'mini-films' which made up Season 4, the collective peak of an extraordinary television series.
Through the Looking Glass: Byzantium through British Eyes
The papers in this volume derive from the 29th Spring Symposium of Byzantine Studies. This was held for the Society for the Promotion of Byzantine Studies in the University of London in March 1995, in order to complement the British Museum exhibition 'Byzantium. Treasures of Byzantine Art and Culture'. The objective of the symposium was to explore the ways in which British scholars, travellers, novelists, architects, churchmen and critics came into contact with Byzantium, and how they perceived what they saw. The present volume sets out some of the results of this enquiry. Byzantium is treated both as a source of influence on British culture as well as an 'idea' which British culture constru...
A Cavalcade of Queensland's Crimes and Criminals
A Cavalcade of Queenslands Crimes and Criminals, for every year following the colonys separation from New South Wales from 1859 to 1920, Jarvis Finger has recounted Queenslands most notable crimes.
The Hagley Wood Murder
Astonishingly, The Hagley Wood Murder is the first book solely on the subject (other than a selection of privately printed/self published offerings) ever written on this murder, which too place eighty years ago. In April 1943, four teenaged boys discovered a corpse stuffed into the bole of a wych elm in a wood in the industrial Midlands. The body was merely bones and had been in the tree for up to two years. The pathologist determined that she was female, probably in her thirties, had given birth and was just under five feet tall. The cause of death was probably suffocation. Six months after the discovery, mysterious messages began to appear on walls in the area, variants of ‘Who Put Bella...
