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Who Voted for Hitler?
Challenging the traditional belief that Hitler's supporters were largely from the lower middle class, Richard F. Hamilton analyzes Nazi electoral successes by turning to previously untapped sources--urban voting records. This examination of data from a series of elections in fourteen of the largest German cities shows that in most of them the vote for the Nazis varied directly with the class level of the district, with the wealthiest districts giving it the strongest support. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Origins of World War I
Discusses and examines the possible causes of World War I.
Richard Hamilton
An illustrated study of Richard Hamilton's famous Pop art painting of Mick Jagger and art dealer Robert Fraser in handcuffs. One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67 (f) depicts two men--Mick Jagger and Hamilton's art dealer Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967 arrest for possession of drugs. The title is a clever and bitter play on words, conflating the "swinging" of 1960s-era London with the "swingeing" (to swinge is to beat or scourge) punishment meted out to new...
War Planning 1914
This collection of essays by international experts in military history reassesses the war plans of 1914 in a broad diplomatic, military, and political setting.
Decisions for War, 1914-1917
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The Bourgeois Epoch
Richard Hamilton provides an in-depth critique of the writngs of Karl Marx and Friedrich Engels on Britain, France, and Germany. Hamilton contends that the validity of their principal historical claims has been assumed more often than investigated, and he reviews the logic of their historical arguments, citing relevant sources that challenge many of the assertions they used to build their theory of inexorable historical change. Although Marx emphasized the need for systematic empirical research into historical events, he and Engels in fact relied on impressionistic evidence to support their claims of how fault lines were forming in capitalist society. Marxist theory, Hamilton concludes, is p...
The Social Misconstruction of Reality
Hamilton finds that despite critiques by historians, some scholars continue to believe Max Weber's claim that a strong linkage between Protestantism and worldly success led to the rise of the capitalist West. Similarly, many academics still argue the discredited view that the German lower middle class voted overwhelmingly for the Nazis.
Richard Hamilton - Collected Words
Gathers essays by the influential British painter and cultural critic on such subjects as Marcel Duchamp, Roy Lichtenstein, advertising, and industrial design.
America's New Empire
In this volume, Hamilton deals with some of the antecedents and the outcome of the Spanish-American war, specifically, the acquisition of an American empire. It critiques the "progressive" view of those events, questioning the notion that businessmen (and compliant politicians) aggressively sought new markets, particularly those of Asia. Hamilton shows that United States' exports continued to go, predominantly, to the major European nations. The progressive tradition has focused on empire, specifically on the Philippines depicted as a stepping stone to the China market. Hamilton shows that the Asian market remained minuscule in the following decades, and that other historical works have negl...
Choes and Anthesteria
In this compelling work Richard Hamilton employs a revolutionary methodology to investigate a crucial area of Greek religion. The Athenian spring festival Anthesteria, held in honor of the god Dionysos, arguably incorporated thee most complicated rituals recorded for Classical Athens. The central second day of the festival, called Choes, provides a rare opportunity to study the relationship between literary and visual evidence. Not only do we possess a wide variety of written testimonia, there also survive large quantities of the small clay pots that gave the day its name. Choes and Anthesteria begins by offering translations of the testimonia for the Anthesteria, together with analyses of d...
