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"To have once been a criminal is no disgrace. To remain a criminal is the disgrace." MALCOLM X In Harlem's tumultuous history, there are many tragedies. For those growing up in this part of New York City, a young man known simply as Fritz from West 112th Street became an urban legend in Harlem. In the 1970s, Richard "Fritz" Simmons is introduced to the drug trade, by an associate of the Lucchese crime family, one of the five families of La Cosa Nostra (the Mafia). After negotiating a deal with the Medellín Cartel, Fritz becomes New York's Cocaine Consignment King. The lucrative deal unlocks a lavish lifestyle with more money than Fritz's family and Harlem could've imagined. Now, distributin...
This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses a typ...
Complete with headnotes, summaries of decisions, statements of cases, points and authorities of counsel, annotations, tables, and parallel references.
This work is a hypothetically dialogue on how the eternal world might seem for someone recently dead, using me, the author pretending-to-be-recently-dead, confronted with a First Greeter, an intelligent and empathetic Spirit Guide named Amorella. This work is for the purpose of challenging the Reader’s reasoning and contemplation about how it is permanently moving on. Amorella has been my creative spirit guide since the early 1980s, and she has been in my earlier published novels with iUniverse. The dialogue is candid. Amorella gives me questions to show who I am now that I am a heartansoulanmind and nothing more. I am who I am; Amorella is who she is and has been as my silent creative com...
Discover how Over-the-Rhine's culture, politics and architecture have influenced Cincinnati's development for over 150 years. Cincinnati's Over-the-Rhine captures a fascinating urban neighborhood in vintage photographs. Early German immigrants gave the neighborhood its moniker, after the bordering Miami-Erie canal, and also contributed to its beautiful architecture. Appalachian and African-American citizens later contributed to the cultural diversity. Today, a vibrant arts scene co-exists along with revitalizing social programs that aid its underprivileged residents. Over 200 images reveal Over-the-Rhine's urban characters, street life, and architectural landmarks, including Music Hall, Findlay Market and St. Mary's Church.