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This is the first biography of Richard Hoggart which seeks to tie together in a single narrative his life and work, to settle Hoggart in the great happiness of a fulfilled family life and in the astonishing achievements of his public and professional career, considering each of his books in detail, and following him through the long and hard labours of his different public and academic offices. It is a tale of a good man with which to edify the present, and to teach us of all that now threatens our best national (and international) forms of expression: our art, our culture, ourselves.
In this new collection of essays, a range of established and emerging cultural critics re-evaluate Richard Hoggart's contribution to the history of ideas and to the discipline of Cultural Studies. They examine Hoggart's legacy, identifying his widespread influence, tracing continuities and complexities, and affirming his importance.
Awarded 2013 PROSE Honorable Mention in Media & Cultural Studies With the resurgent interest in his work today, this is a timely reevaluation of this foundational figure in Cultural Studies, a critical but friendly review of both Hoggart's work and reputation. Re-examines the reputation of one of the ‘inventors’ of Cultural Studies Uses new archival sources to critically evaluate Hoggart's contribution and influence, set his work in context, and determine its current relevance Addresses detractors and their positions of Hoggart, delineating long-term ideological battles within academia Brings cultural studies, literary criticism, and social history to bear on this figure whose interests spread across disciplines, to create a text which blends many threads into a coherent whole
Part meditation, part commonplace book, First and Last Things is an attempt by a writer of great distinction and strong convictions to take stock of his beliefs and values. Here, Richard Hoggart considers the big questions without shortchanging readers with easy answers. He examines problems (as he sees them) of faith; the mysterious origins of conscience; the importance of family and friends; the value of literature; the nature of memory; and the need, in old age, to find some value in existence. To these issues, and many others, the author brings a lifetime of rich experience and a mind well stocked with the best that has been written by those who have gone before. What emerges above all i...
Richard Hoggart has been one of the leading cultural commentators of the last sixty years. He was the first literary critic to take the working class seriously and to extend the parameters of literary criticism to include popular culture. Hoggart put the working class on the cultural map. He differentiated between what was offered by the â oepopular providersâ (media, popular fiction, advertisements) and the resilient culture of working-class people themselves. Hoggartâ (TM)s most famous work is the seminal The Uses of Literacy. Part II (written first) offers a searing indictment of the specious populism and banality of popular newspapers and magazines, the fake â oepally patterâ of the...
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Takes a number of aspects of mass society - celebrity worship, youth culture, broadcasting and a decline in the proper use of language, and considers the paradox that the ready accessibility of information of all types does not automatically lead to greater comprehension of our world.
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For years Richard Hoggart has observed the oddity of a common speech habit: the fondness for employing ready-made sayings and phrasings whenever we open our mouths, a disinclination to form our own sentences "from scratch," unless that becomes inescapable. But in this book he is interested in more specific questions. How far do the British, and particularly the English, share the same sayings across the social classes? If each group uses some different ones, are those differences determined by location, age, occupation or place in the social scale? Over the years, did such sayings indicate some of the main lines of their culture, its basic conditions, its stresses and strains, its indication...