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From Snow White and the Seven Dwarfs to Splash, the authors provide in-depth examinations of numerous Disney classics. They give profiles of Walt and Roy Disney, interviews with the illustrators, technicians, composers, and voices who created the characters, and an inside look into the multibillion-dollar business.
The first complete story of Mickey Mouse, from his conception in 1928 to the present, covering all aspects of his life and career. 100 color and 50 black-and-white illustrations.
The Magic Kingdom sheds new light on the cultural icon of "Uncle Walt." Watts digs deeply into Disney's private life, investigating his roles as husband, father, and brother and providing fresh insight into his peculiar psyche-his genuine folksiness and warmth, his domineering treatment of colleagues and friends, his deepest prejudices and passions. Full of colorful sketches of daily life at the Disney Studio and tales about the creation of Disneyland and Disney World, The Magic Kingdom offers a definitive view of one of the most influential Americans of the twentieth century.
This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Captain America: Civil War is a 2016 American superhero film based on the Marvel Comics character Captain America, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to 2011's Captain America: The First Avenger and 2014's Captain America: The Winter Soldier, and the thirteenth film of the Marvel Cinematic Universe (MCU). The film is directed by Anthony and Joe Russo, with a screenplay by Christopher Markus & Stephen McFeely, and features an ensemble cast, including Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anth...
Originally published: London: Laurence King Pub., 2006.
The stories of Thomas the Tank Engine and his friends have delighted generations of children and adults, but what do we know of the man who created them? A devoted pastor and family man, the Reverend W Awdry first started telling the stories in order to amuse his own children, with no idea that the characters would lead to a global phenomenon that now, seventy years after their first appearance, shows no signs of waning. In this fascinating and warm biography, prolific author Brian Sibley brings to life one of the most eminent children's writers of the twentieth century, tracing his story from his Edwardian childhood through his time at University and into World War 2. A convinced pacifist, Awdry was thrown out of one curacy and denied another, because of his beliefs. Never afraid to fight for what he thought was right, he argued with his publishers and his illustrators, demanding the best for his favourite creations - the trains and their friends.
Since its release in 1954, scholars have been aware of the CIA's involvement in the making of the controversial animated motion picture adaptation of George Orwell's 'Animal Farm'. This work gives an account of their powerful influence on the film.
This collection of essays examines the ways in which writing and cinema can be studied in relation to each other. A wide range of material is presented, from essays which look at particular films, including The Piano and The English Patient, to discussions of the latest developments in film studies including psychoanalytic film theory and the cultural study of film audiences. Specific topics that the essays address also include: the kinds of writing produced for the cinema industry, advertising, film adaptations of written texts and theatre plays from nineteenth century 'classic' novels to recent cyberpunk science fiction such as Blade Runner and Starship Troopers. The essays deal with existing areas of debate, like questions of authorship and audience, and also break new ground, for example in proposing approaches to the study of writing on the cinema screen. The book includes a select bibliography, and a documents section gives details of a range of films for further study.
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers thre...