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A Richard Kasak Book
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The Best of Gauntlet
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Flashpoint
Go with Josh and his friends as they are sent by God, their spiritual leader, on dangerous and challenging voyages to conquer the forces of darkness in the new world. Ages 10-14.
Happily Ever After
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Spree and Other Stories
The collection includes: the novella 'Spree' (Cemetery Dance Publications, 1998) and the stories: 'Making the Woman' (from 'Unnatural Acts and Other Stories', Richard Kasak Books, 1994); 'Wall of Words' (from 'The Flesh Artist', Silver Salamander Press,1994); 'Extremophiles' (from 'Axes of Evil', Chuba Cabra House, 2014); 'Things of Which We Do Not Speak' (from 'The Flesh Artist', Silver Salamander Press, 1994); 'How Real Men Die' (from 'Fatal Journeys', Overlook Connection Press, 2014); 'La Senora Blanca' (from the anthology 'Danse Macabre: Close Encounters with the Reaper' edited by N. Kilpatrick; EDGE Science Fiction and Fantasy Publishing, 2012). Front cover art by Wendy Saber Core. Rear Cover Art by Barandash Karandashich.
Taking Liberties
Bringing together some of the most divergent views published in recent years on the state of contemporary gay male culture, Taking Liberties includes essays by some of the community's foremost writers on such slippery topics as outing, masculine identity, pornography, the pedophile controversy, community definition, and political strategy.
The Mad Man
A philosophy student’s research draws him into the sexual underground of 1980s and early nineties New York John Marr is surprised he doesn’t have AIDS. He has been having near-daily sexual encounters with strange men since before the dawn of HIV, but he remains healthy. His initiation began in the bathroom of the Staten Island Ferry Terminal, and since then he has found himself at home in the darkest corners of Manhattan’s culture of anonymous gay sex. During the day, it is a different story, as Marr works on his graduate thesis—an analysis of the work of a brilliant 1970s philosopher who died mysteriously in one of the gay bars of Hell’s Kitchen. As his research and his sex life begin to converge, Marr senses that if AIDS doesn’t get him, something darker will. The Mad Man, which the author dubbed a “pornotopic fantasy,” is more than a powerful work of philosophical erotica; it is a snapshot of a vanished moment in New York City’s gay history, when fear and lust commingled in a single powerful force.
Harold Rosenberg
"The biography recounts Rosenberg's full story for the first time. Art critic for The New Yorker from 1962 until 1978, Rosenberg, together with Clement Greenberg, radically reshaped the interpretation of art in the post-World-War-II period by promoting and examining abstract expression. But Rosenberg was also a social and literary critic-writing about art was just one aspect of his work. Harold Rosenberg: A Critic's Life weaves together Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. Rosenberg's mid-century linking of the New York School with the art establishment, together with his observations on the commodification of the artwork and the evisceration of the "self" in favor of celebrity (especially in his often-cited essay "The Herd of Independent Minds") make this book especially topical"--
