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Harold Rosenberg
"The biography recounts Rosenberg's full story for the first time. Art critic for The New Yorker from 1962 until 1978, Rosenberg, together with Clement Greenberg, radically reshaped the interpretation of art in the post-World-War-II period by promoting and examining abstract expression. But Rosenberg was also a social and literary critic-writing about art was just one aspect of his work. Harold Rosenberg: A Critic's Life weaves together Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. Rosenberg's mid-century linking of the New York School with the art establishment, together with his observations on the commodification of the artwork and the evisceration of the "self" in favor of celebrity (especially in his often-cited essay "The Herd of Independent Minds") make this book especially topical"--
Movements in Modern Art
"In this incisive study, the curator and writer Debra Bricker Balken examines the work of the leading artists associated with Abstract Expressionism, including Willem de Kooning, Lee Krasner, Robert Motherwell, Barnett Newman, Jackson Pollock and Mark Rothko. At the same time she examines the myths surrounding the movement, the variation in the motivation and practice of artists grouped by art historians under the same heading, and the role played by critics in the movement's reception, both at the time and up to the present day." "Of equal value to the general reader and the art historical scholar alike, Balken's text is a valuable addition to the literature on one of the most influential of all twentieth-century art movements."--BOOK JACKET.
Arthur Dove
New insights into the transformative work of this visionary modern artist accompany a comprehensive documentation of his paintings and assemblages
Philip Guston's Poor Richard
In 1971, as the race for the presidency heated up, the artist Philip Guston (1913-1980) created a series of caricatures of Richard Nixon titled Philip Guston's Poor Richard. Produced two years before Watergate and three years before Nixon's resignation, these provocative, searing condemnations of a corrupt head of state are remarkable, prescient political satire. The drawings mock Nixon's physical attributes—his nose is rendered as an enlarged phallus throughout-as well as his notoriously dubious, shifty character. Debra Bricker Balken's book is the first book—length publication of these drawings. A visual narrative of Nixon's life, the drawings trace Nixon from his childhood, through hi...
Dove/O'Keeffe
From the outset of her career, Georgia O'Keeffe credited her introduction to modernism as deriving in part from a reproduction of a pastel by Arthur Dove she saw around 1913. By this time Dove was well established as the foremost modernist artist in America, yet O'Keeffe herself would later become a source of renewal for his work. Renowned scholar Debra Bricker Balken here offers the first investigation into the interrelationship between these two great artists. She shows that while Dove's sensual evocations of landscape--his abstractions of nature's undulating rhythms and forms--offered inspiration for O'Keeffe, the influence of O'Keeffe's work on Dove was equally significant. After 1930, D...
Mark Tobey
Accompanying a major retrospective, this long-overdue survey establishes Mark Tobey as a pioneering champion of abstraction in America. The first comprehensive English-language monograph on Mark Tobey in forty years, this book traces the evolution of this artist’s groundbreaking style and his significant yet under-recognized contributions to abstraction and midcentury American modernism. One of the foremost American artists to emerge from the 1940s, a decade that saw the rise of Abstract Expressionism, Tobey (1890–1976) is now recognized as a vanguard figure whose work anticipated the formal innovations of New York School artists such as Jackson Pollock. Tobey’s small tempera paintings...
After Many Springs
After Many Springs is the title of a Thomas Hart Benton painting that evokes nostalgia for a fertile, creative time gone by. This bold new book--taking the name of this work by Benton--examines the intersections between Regionalist and Modernist paintings, photography, and film during the Great Depression, a period when the two approaches to art making were perhaps at their zenith. It is commonly believed that Regionalist artists Benton, John Steuart Curry, and Grant Wood reacted to the economic and social devastation of their era by harking back in tranquil bucolic paintings to a departed utopia. However, this volume compares their work to that of photographers such as Dorothea Lange and Be...
Modern Mystic
"Hyman is awesomely consistent, brilliant, ascetic--more and more people say he is the best painter in America, and so he is." -Robert Lowell This important publication, the first of its kind, presents the paintings and drawings of an aesthetic and mystical searcher in the tradition of William Blake, Albert Pinkham Ryder and Odilon Redon, who strove for the moment when, in his own words, "the mood is as intense as it can be made." Hyman Bloom's work, influenced by his Jewish heritage (whose impression on his painting he described as a "weeping of the heart") and Eastern religions, touches on many of the themes of 20th-century culture and art: the body, its immanence and transience, abstracti...
Edna Andrade
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Barbara Takenaga
This in-depth assessment explores the work of Barbara Takenaga whose detailed, mystical paintings draw from a wide range of sources from Japanese prints to Op Art. At once conceptual and decorative, Barbara Takenaga’s swirling, patterned paintings have been called "psychedelic" and "cosmic." Takenaga’s approach to painting is both highly structured and disciplined. In this collection of seventy paintings, the evolution of Takenaga’s celestial bodies and ecstatic compositions is traced over a 20-year period. The luminous reproductions allow readers to study her intricacies of form and color. The book includes an essay that examines Takenaga’s work in relation to historic precedents and current aesthetic developments; a brief consideration of Takenaga’s career by novelist Jim Shepard; and a poem by Geoffrey Young.
