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Richard Slee
Winner of the 2001 Jerwood Applied Arts Prize, Richard Slee (b.1946) is one of the most interesting and significant ceramicists working today.Richard Slee's ceramics are intriguing, witty and thought provoking. His work is a celebration of the domestic and the familiar, with everyday objects instilled with meaning from personal to social and political issues. His toby jugs, for example, humorously subvert this traditional icon of Englishness to express the current state of the nation.Coinciding with a major retrospective of Richard Slee's ceramics spanning his career, this book is the definitive study on Slee's work to date and as such will be an invaluable resource for collectors, curators, academics and general enthusiasts alike.
Richard Slee. Means of Production
Richard Slee (born Carlisle, 1946) has built a reputation as one of Britain’s most important contemporary ceramic artists. His work challenges conventional notions of ceramic art and demonstrates the fluid boundaries of 21st century ceramic practice. Slee’s work is celebrated as art and craft as he remains committed to craft processes and the domestic environment. Slee’s one-off pieces demonstrate his peerless ability to create impeccable super shiny ceramics. His pieces flawlessly integrate sourced materials and readymades from DIY stores, toyshops and sports shops.00Exhibition: Tullie House Museum, Carlisle, UK (16.6.-14.9.2014).
Richard Slee
This title accompanies the exhibition of this acclaimed ceramicist at The Tate, St Ives, Spring 2003.
Ophthalmic Anaesthesia
This Oxford Specialist Handbook is a concise, practical yet comprehensive guide to ophthalmic anaesthesia, covering anatomy, specific anaesthetic techniques and principles, and recent changes in the field.
The Black Art
As well as the open propaganda of the British Government produced during the Second World War, like the foreign language radio broadcasts of the BBC and the aerial propaganda leaflets dropped by the RAF over Occupied Europe, a secret underground propaganda battle was also fought. ‘The Black Art’ documents this history of Britain’s clandestine psychological warfare conducted against the Nazi’s Third Reich. This black propaganda was the work of several secret intelligence organisations including the Political Warfare Executive and Special Operations Executive. Using previously undiscovered primary source material ‘The Black Art’ charts the progress of and catalogues the range of propaganda leaflets covertly distributed across Occupied Europe and beyond to subvert the morale of German soldiers and civilians. The propaganda included such ruses as malingering instructions to fake the symptoms of illness, tips for desertion to neutral countries, parody postage stamps, advice on sabotaging a U-boat, counterfeit ration coupons, identity documents and newspapers plus numerous other falsely attributed leaflets and stickers. Over 350 illustrations are included.
