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Goodbye combines biography with a son's discovery of his father. Gordon Jenkins, one of America's most significant musical figures throughout his 50-year career, collaborated with many of the major talents in postwar pop and jazz. Modest by nature, he rarely spoke of his accomplishments, and there was much to discover when, on account of his father's death in 1984, Bruce Jenkins began his research. Paralleling the story of Gordon Jenkins's personal life is a veritable history of popular music, featuring luminaries from Irving Berlin to Billie Holiday. This richly anecdotal biography relates a wealth of heretofore untold stories of his encounters with icons like Sinatra, who was uncharacteristically awestruck by him, and Judy Garland, whom only Jenkins could convince to go onstage when she was crippled with anxiety. A concluding chapter documents Jenkins's slow, difficult death from ALS, leaving readers with an unforgettable image of a legend dying with dignity and unexpected good humor.
The music of Alec Wilder (1907-1980) blends several American musical traditions, such as jazz and the American popular song, with classical European forms and techniques. Stylish and accessible, Wilder's musical oeuvre ranged from sonatas, suites, concertos, operas, ballets, and art songs to woodwind quintets, brass quintets, jazz suites, and hundreds of popular songs. In this biography and critical investigation of Wilder's music, Philip Lambert chronicles Wilder's early work as a part-time student at the Eastman School of Music, his ascent through the ranks of the commercial recording industry in New York City in the 1930s and 1940s, his turn toward concert music from the 1950s onward, and his devotion late in his life to the study of American popular songs of the first half of the twentieth century. The book discusses some of his best-known music, such as the revolutionary octets and songs such as "I'll Be Around," "While We're Young," and "Blackberry Winter," and explains the unique blend of cultivated and vernacular traditions in his singular musical language.
Literature of American Music III, 1983-1992 is the second supplement to the original Literature of American Music in Books and Folk Music Collections. Taken together, the three volumes provide a comprehensive inventory of the 5,100 books representing the core literature on American music. This volume cites and critically annotates monographs on American music published from 1983 to 1992, but does not include literature in folk music collections. More than 1,300 entries cover all aspects of American music, including folk, blues, jazz, rock, music of major cities, festivals, the music industry, instruments, music education, and music for TV and film. Entries are arranged according to Library of Congress classification numbers, which allows librarians to check their own holdings. Each citation provides full imprint data, ISBN, facts about earlier editions, series notes, references to reviews in standard media, descriptions of favorable and unfavorable features, and special notes of reference elements such as indexes and bibliographies. Includes title and subject indexes. Author indexing is included in the Checklist of Writings on American Music, 1640-1992.
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Frank Sinatra's 45-year recording career and the songs he recorded: his professional biography as a recording artist; the evolution of his vocal technique and performance style; sources and variety of songs recorded; his 12 most-recorded composers and lyricists (20 others are discussed briefly); his interaction with his six major sources of orchestration; his recording sessions; a review of all albums referenced; and the technical and commercial side of his career. Supporting the research are a master song list (approximately 1,250 recordings), songs by publication date, composer and lyricist indexes, every arrangers work (listing each conductor and orchestra), a detailed list of recording sessions--in order--plus radio, television and film work, and three album lists, showing contents, order of first releases, label sequence and producers.
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical di...
"Old Blue Eyes" is as hot as ever! Long considered the preeminent entertainer in show business, Frank Sinatra has been recording continuously since 1935. Although he attempted to retire once, his popularity continues to soar as new generations discover the special quality Sinatra brings to every song he performs. * The essential reference for every Sinatra fan and record collector. Cataloged by experts, this is the one-volume source that no true Sinatra fan will want to be without. * A comprehensive listing of every recording since 1935. More than a simple price list of the most popular tunes, this well-researched and comprehensive discography follows Sinatra's fifty-seven-year career from t...