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James Roose-Evans has delved deep into Richard Wilson's life to produce an enthralling portriat of one man's ambition to prove himself, and to succeed against the odds.
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Since 1888, Rangers and Celtic football clubs have been locked into an intense and frequently explosive rivalry: Rangers the product of West Scotland's Protestant establishment, Celtic the team founded to raise money for the Catholic underclass of Glasgow. On 2 January 2010 the two teams met in the Old Firm's New Year Derby, a fixture that had been banned for ten years because of the trouble it brought with it. Richard Wilson puts that game at the centre of a book which delves into the history and widens out to the cultural resonance of the fixture within Scotland. Starting as the fans begin to arrive in Glasgow, and ending as the long night following the match stretches out ahead, Wilson talks to the fans, the players, the backroom staff, the referee, the ferry staff, the stewards and the paramedics to create a panoramic view of a cultural institution. It addresses the role football plays in working-class life, the social aspects of the game and why it is part of its surroundings in a way that no other sport is. Inside the Divide is a mix of close-up observation and big-picture thinking, with insight, understanding and depth.
Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies.
Richard Wilson is one of today's foremost exponents of installation art. This, the first monograph on the artist, examines the full spectrum of his work, from models, drawings and gallery-based projects to collaborations with architects and engineers. Including more than 50 pieces made over the past 20 years, as well as a comprehensive checklist of all his works, it provides a long-overdue survey of one of the most important artists of modern times.
On December 28th 2000 VSO volunteer Charlotte Wilson was killed in a massacre when her bus was ambushed in war-torn Burundi. Twenty others died with her, including her Burundian fiance. The attackers were members of Hutu-extremist Forces Nationales de Liberation (FNL), a group linked to those responsible for the 1994 Rwandan genocide. Charlotte's brother, Richard, attempts to come to terms with the trauma of a family's loss - to make sense of Charlotte's murder, and to seek some kind of justice. Titanic Express raises vital questions about the institutions in which we trust to safeguard human rights, and exposes contradictions in the recent rhetoric on terror.