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The Girl Who Came Calling, is about Pilar Riviera, the beautiful bad-ass heroine with a blue blood pedigree (Ernest Hemingway's illegitimate daughter), tracing her Jewish ancestry all the way back to David who slayed Goliath. Killing is in her DNA. And kill she does, from JFK in Dallas, to Dorothy Kilgallen in New York, to Lucky Luciano in Naples, to Che Guevara in Bolivia. And along the way, she has an affair with Marilyn Monroe and Elvis Presley; seduces Jackie Kennedy; helps Fidel Castro plant hidden nuclear bombs in the US; assassinates Lucky Luciano, stealing his Rafael portrait that went missing during WW2; and then she fakes Jack Ruby's death, sneaks him out of Dallas and hides him away on a remote Cuban island. When Pilar isn’t bumping off the rich and famous, she’s hopping in bed with them. Smart, witty and beautiful, she can either seduce or kill you.
Beautiful, yet mysterious and deadly, Pilar Rivera is forced into a life of kill or be killed. She has killer good looks and knows how to use them as she stalks and shoots the man who raped her in Havana when she was 16 – and becomes entwined in the crime of the ages. Rumored to be Ernest Hemingway’s Cuban daughter, Pilar is a female Jason Bourne, a woman without a country, loyal only to herself, who will kill for money but charges nothing for revenge. It’s an amazing tale of sex, murder and intrigue, set in the turbulent times of the Cold War, as it moves from Cuba to Russia, New York to Paris, Miami to New Orleans then on to Dallas that notorious day in November. The story swirls around two larger-than-life figures of the 20th century – John F. Kennedy and Fidel Castro – along with a parade of iconic personalities: Jackie and Bobby, Marilyn and Sinatra, Che and Raul, Oswald and Ruby, the rat pack, the mob, the CIA and Hemingway. It’s a fast-paced thriller, as told by Jack Ruby, the last man standing, the only person involved still alive – except for the girl who shot JFK.
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The recognition that identity is mutable, multi-layered and subject to multiple modes of construction and de-construction has contributed to problematizing the issues associated with its representation in discourse, which has recently been attracting increasing attention in different disciplinary areas. Identity representation is the main focus of this volume, which analyses instances of multimedia and multimodal communication to the public at large for commercial, informative, political or cultural purposes. In particular, it examines the impact of the increasingly sophisticated forms of expression made available by the evolution of communication technologies, especially in computer-mediate...
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