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Beaches are places of contact, play, confrontation and friction: first comers always arrive on a beach. After Europeans moved into the Antipodes, the coast was the first frontier to be defined. Flinders' circumnavigation in 1802 had mapped 'Australia', revealing the land as 'girt by sea', as the national anthem continues to remind us. All kinds of ideas about the coast, beaches, sea changes, holiday places and islands swirl and eddy in this unique collection of writing.
Historians have had little to say about the lands that stretch 'beyond the black stump'. These essays from around the country build inland Australia into our national history, crisscrossing both the nineteenth and twentieth centuries. Contributors are Lorina Barker, Amanda Barry, Badger Bates, Peter Bishop, Nici Cumpston, Jean Duruz, Charles Fahey, Lionel Frost, Heather Goodall, Jenny Gregory, Patricia Grimshaw, Rodney Harrison, Rick Hosking, Darrell Lewis, Alan Mayne, Chrissiejoy Marshall, Margaret Somerville and Richard Waterhouse.
In 1802 a Frenchman and an Englishman famously encountered each other off the shores of South Australia. The voyages of discovery of Nicolas Baudin and Matthew Flinders opened the way for the increasingly rapid colonisation of 'Terra Australis'.
A shadow, in its most literal sense, is the projection of a silhouette against a surface and the obstruction of direct light from hitting that surface. For writers and artists, the shadows cast by their precursors can be either a welcome influence, one consciously evoked in textual production via homage or bricolage, or can manifest as an intrusive, haunting, prohibitive presence, one which threatens to engulf the successor. Many writers and artists are affected by an anxious and ambiguous relationship with their precursors, while others are energised by this relationship. The role that intertextuality plays in creative production invites interrogation, and this publication explores a range ...
Macintyre revisits A Concise History of Australia to provoke readers to reconsider Australia's past and its relationship to the present.
This collection of essays takes an interdisciplinary approach to the ecological, social, economic and, in particular, the cultural dimensions of the Australia-India relationship. The essays provide many levels of focus on environment, place and culture. Some evoke appreciation of particular “places,” either in India or Australia. Many explore how literature has treated “landscape,” while some are comparative studies of cultural, historical and political development. The essays arise from a particular gathering of scholars: The East India chapter of the Indian Association for the Study of Australia (IASA) held its inaugural international conference in Kolkata on 22–23 January 2009. ...
Dickens, Journalism, and Nationhood examines Charles Dickens’ weekly family magazine Household Words in order to develop a detailed picture of how the journal negotiated, asserted and simultaneously deconstructed Englishness as a unified (and sometimes unifying) mode of expression. It offers close readings of a wide range of materials that self-consciously focus on the nature of England as well as the relationship between Britain and the European continent, Ireland, and the British colonies. Starting with the representation and classification of identities that took place within the framework of the Great Exhibition of 1851, it suggests that the journal strives for a model of the world in concentric circles, spiraling outward from the metropolitan center of London. Despite this apparent orderliness, however, each of the national or regional categories constructed by the journal also resists and undermines such a clear-cut representation.
Integrity and Historical Research offers a stimulating discussion about the ethical use of historical research material by writers and filmmakers. What does using another’s research with integrity really entail?
Drawing on cutting-edge virtual reality, this book unearths the social-political histories and theatrical praxis of five 'lost' theatres.