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Truth Always Kills
A cop in departmental trouble knows his wife is being stalked, but feels helpless to do anything about it. Does he report it and bring undue attention to himself, or should he take matters into his own hands, and damn the consequences?
Down & Out: The Magazine Volume 2 Issue 1
In this issue, pioneering TV writer and producer April Kelly opens with a wicked story that may remind you to pay attention to what you eat. Brendan DuBois appears with the story of an assassination and its aftermath—from the killer’s point of view. Ray Daniel & Kellye Garrett team up with a story that brings together characters from their own series. Our feature is by Walter Satterthwait, who comes at us with his first new story in a while. The lead character, Fallon, helps—in his own way—solve a murder at a monastery. Edgar Award-winning author Sylvia Maultash Warsh brings us a piece about deception in the world of art, and we welcome Benjamin Boulden back with his second story for us. Robb T. White returns following his Best Mystery Stories of 2019 entry in our pages, and Dane F. Baylis, Richard Prosch and Richard Risemberg debut in our magazine with some of the most entertaining crime fiction you’ll find.
Down & Out: The Magazine Volume 2 Issue 2
There are a number of noteworthy articles in this issue of The Magazine. We are fortunate to feature some of the correspondence between two legends of crime fiction, Walter Satterthwait and Bill Crider, both of whom recently passed away. For those who knew Walter and Bill, or were just fans of their work, there is a touch of their personalities that comes through in these exchanges and, at least for a moment, gives us an opportunity to experience their unique voices just a little bit, just one more time. Jeff Vorzimmer, editor of last year’s The Best of Manhunt collection, tells us about Stephen Marlowe’s career in the piece leading into his story The Blonde at the Wheel. Jeff also contributed a story of his own and we’re happy to have this opportunity to showcase his many skills. We also have a couple of repeat appearances by writers who have appeared in previous issues. Arthur Klepchukov is back, as is John M. Floyd and John Shepphird. And with original stories by veterans like Josh Pachter and James O. Born, and newer offerings by Michael Cahlin, Steven Nester and Ken Luer, we’re showing the art of the crime fiction short story is still going strong. May it ever be so.
Denim, Diamonds and Death
Denim, Diamonds and Death offers a fine collection from authors supporting the 50th Anniversary of the Bouchercon World Mystery Convention in Dallas, Texas. Here are fifteen stories that run the gamut from heists to revenge, intricate plots to secrets uncovered, and more than a few tales that defy easy classification. Proceeds from the sale of the book will go to the 2019 Bouchercon’s official charity, Literary Instruction for Texas (LIFT). Edited by Rick Ollerman with stories by Carole Nelson Douglas, John M. Floyd, Dana Haynes, Thomas Luka, Michael Allan Mallory, Angela Crider Neary, Laura Oles, Josh Pachter, John Shepphird, Debra Luttanzi Shutika, Julie Tollefson, Tim P. Walker, Robb White, Kenneth Wishnia, and Mark Wisniewski.
The Great Filling Station Holdup
Jimmy Buffett is one of the great contemporary singer/songwriters, and it’s hard to imagine a citizen of Planet Earth unfamiliar with such classic hits as “Margaritaville.” Jimmy has also written novels, children’s books, memoirs, and a stage musical based on Herman Wouk’s Don’t Stop the Carnival, and his family-friendly concerts almost always sell out to audiences comprised of a mix of dedicated Parrotheads, casual fans, and newbies. In The Great Filling Station Holdup, editor Josh Pachter presents sixteen short crime stories by sixteen popular and up-and-coming crime writers, each story based on a song from one of the twenty-nine studio albums Jimmy has released over the last h...
Down & Out: The Magazine Volume 1 Issue 3
This third issue of Down & Out: The Magazine features a new Jim Brodie story by Barry Lancet, whose novel Japantown has been optioned by J.J. Abrams and Warner Brothers for the Hollywood treatment. Here we have Brodie on a trip to his home in Japan and a quest to find out what’s going on with the yakuza and a perplexing kidnapping. But first up is a story by Canadian favorite Peter Sellers; he delivers a nasty little crime story of love and loyalty in the workplace in his own unique style. Patti Abbott gives us a searing story proving once again how nothing torches the human soul like that of another person’s expectations. Art Taylor, one of the best and most prolific short story artists...
Down & Out: The Magazine Volume 1 Issue 4
Issue four closes our exciting first year with the very talented debut of Arthur Klepchukov. His intelligent “A Damn Fine Town” is followed by film director and writer John Shepphird and a prequel to his award-nominated “Shill” trilogy, a bit of a teaser for those of you who may not have discovered Jane Innes…yet. Brian Silverman is up next with a story set on his fictional Caribbean island of St. Pierre featuring his characters, Leonard and Tubby. The featured story this issue is of the most excellent Inspector Kubu by the writing team of Michael Stanley. If “Shoot to Kill” is your first Kubu tale, believe me, he’s only better when he’s in a novel. Our featured historical ...
Blood Work
Edited by Rick Ollerman. Alphabetical list of contributors: Scott Adlerberg, Eric Beetner, Kristi Belcamino, Michael A. Black, Michael Bracken, Don Bruns, Gary R. Bush, Austin Camacho, Dave Case, Jessie Chandler, Reed Farrel Coleman, Jen Conley, John Gaspard, Lois Greiman, Libby Fischer Hellmann, David Housewright, William Kent Krueger, Jess Lourey, Michael Allan Mallory, Terrence McCauley, Jenny Milchman, Stuart Neville, Rick Ollerman, Nick Petrie, Gary Phillips, Lissa Marie Redmond, Michael Stanley, Duane Swierczynski, Randy Wayne White, and Case Younggren. Many of today’s top writers get together to celebrate the themes of books and bookstores (and even a tuba or two!) As we celebrate the life of Mystery Writers of America Raven Award-winning Gary Shulze, long-time owner of the legendary Once Upon a Crime bookstore in Minneapolis. Gary left an indelible mark on the crime fiction community across the world before he passed away in 2016 due to complications from leukemia. Join as Duane Swierczynski, William Kent Krueger, Randy Wayne White, Jess Lourey, Stuart Neville and more come together in this tribute to a man whose legacy will not be forgotten.
Beyond Twisted Sorrow
Twentieth-century mass produced pulp crime usually ends with the protagonists unable to rid themselves of the presence of forces that inhibit professional or emotional growth. Stoic perseverance is often their acknowledgement of the power of fate. The diverse, still-emerging genre of Country (or Redneck, Ridgerunner, or Ozark) noir is marked by protagonists who have an instinct for community as a coherent territory and recreate the possibly self-destructive but stubbornly self-assertive traits that characterized what Greil Marcus called “the old, weird America.” Rural fiction’s protagonists struggle to replace a set of convictions which no longer sustain community or family. Often enough, their struggles produce a generational survival of perseverance, family and clan mutuality, the need for passing tough tests, and spirituality. They often wind up “far from the twisted reach of crazy sorrow” (Dylan’s “Tambourine Man”).
Pulp Virilities and Post-War American Culture
This book interrogates the repertoire of masculine performance in popular crime fiction and cinema from the 1940s, 50s, and 60s. This critical survey of the back alleys of pulp culture reveals American masculinities to be unsettled, contentious, crisis-ridden, racially fraught, and sexually anxious. Libertarian in their sensibilities, self-aggrandizing in their sentiments, resistant to the lures of upper mobility, scornful of white collar and corporate culture, the protagonists of these popular and populist works viewed themselves as working-class heroes cast adrift. Pulp Virilities explores the enduring traditions of hard-boiled and noir literature, casting a critical eye on its depictions of urban life and representations of gender, crime, labor, and race. Demonstrating how anxieties and possibilities of American masculinity are hammered out in works of popular culture, Pulp Virilities provides a rich cultural genealogy of contemporary American social life.
