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Built from the lives and stories of undocumented immigrants, these mournful, mystical poems are artifact, a cry for remembrance
In cities and fields, Mexican American men are leading lives of quiet desperation. In this collection of thirteen startling stories, Rigoberto González weaves complex portraits of Latinos leading ordinary, practically invisible lives while navigating the dark waters of suppressed emotion—true-to-life characters who face emotional hurt, socioeconomic injustice, indignities in the workplace, or sexual repression. But because their culture expects men to symbolize power and control, they dare not risk succumbing to displays of weakness. González shines an empathetic light into the shadows of Mexican culture to portray characters who suffer in silence—men both straight and gay who must com...
Winner of the American Book Award
Incoming seniors Maui, Trini, Isaac, and Liberace, known as the Fierce Foursome, decide to create a gay/straight alliance at Caliente Valley High School.
One morning, Takahashi, a writer who has just stayed up all night working, is interrupted by a phone call from his old friend Sonomura: barely able to contain his excitement, Sonomura claims that he has cracked a secret cryptographic code based on Edgar Allan Poe’s The Gold-Bug and now knows exactly when and where a murder will take place—and they must hurry if they want to witness the murder, because it’s later that very night! Sonomura has a history of lunacy and playing the amateur detective, so Takahashi is of course reluctant to believe him. Nevertheless, they stake out the secret location, and through tiny peepholes in the knotted wood, become voyeurs at the scene of a shocking crime… Atmospheric, erotic, and tense, Devils in Daylight is an early work by the master storyteller who “created a lifelong series of ingenious variations on a dominant theme: the power of love to energize and destroy” (Chicago Tribune).
Caliente Valley High School senior Maui, a gay Latino, is torn between his growing affection for a wealthy newcomer and his loyalty to the GLBT alliance he helped found, whose members consider making a statement by attending the prom in drag.
These poems consider the history of the Americas and their uncertain future, particularly regarding the danger of climate change, and suggest a line from colonialism toward a shattering "Apocalipsixtlán."
In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.
Rigoberto González, author of the critically acclaimed memoir Butterfly Boy: Memories of a Chicano Mariposa, takes a second piercing look at his past through a startling new lens: hunger. The need for sustenance originating in childhood poverty, the adolescent emotional need for solace and comfort, the adult desire for a larger world, another lover, a different body—all are explored by González in a series of heartbreaking and poetic vignettes. Each vignette is a defining moment of self-awareness, every moment an important step in a lifelong journey toward clarity, knowledge, and the nourishment that comes in various forms—even "the smallest biggest joys" help piece together a complex ...
An astonishing new talent, Rigoberto González writes with a clarity of the senses that pulls the reader into a marvelous and unfamiliar world. The sidewalk preacher, the umbrella salesman, the nurse on the graveyard shift, the professional mourner-- all allow González a clandestine glimpse of their lives. Crackling with the dry electricity of the desert and flashing with the brilliant colors of Mexico, González's poems are rooted in the fertile soil beneath poverty's dust, the border's violence, and longing's desolation.