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In late eighteenth-century Vienna a remarkable coterie of five aristocratic women, popularly known as the "five princesses," achieved social preeminence and acclaim as close associates of the reforming Habsburg Emperor Joseph II. They were Princess Maria Josepha Clary (1728-1801); Princess Maria Sidonia Kinsky (1729-1815); Princess Maria Leopoldine Liechtenstein (1733-1809); Countess, subsequently Princess, Maria Leopoldine Kaunitz (1741-1795); and Princess Maria Eleonore Liechtenstein (1745-1812). The group assumed a stable form by 1772, by which time Joseph II and two of his closest male associates, Field Marshal Franz Moritz Lacy and Count Franz Xavier Orsini-Rosenberg, had become accepte...
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.
During a television broadcast in 1959, US President Dwight D. Eisenhower remarked that "people in the long run are going to do more to promote peace than our governments. Indeed, I think that people want peace so much that one of these days our governments had better get out of the way and let them have it." At that very moment international peace organizations were bypassing national governments to create alternative institutions for the promotion of world peace and mounting the first serious challenge to the state-centered conduct of international relations. This study explores the emerging politics of peace, both as an ideal and as a pragmatic aspect of international relations, during the...
The hundred years between the revolutions of 1848 and the population transfers of the mid-twentieth century saw the nationalization of culturally complex societies in East Central Europe. This fact has variously been explained in terms of modernization, state building and nation-building theories, each of which treats the process of nationalization as something inexorable, a necessary component of modernity. Although more recently social scientists gesture to the contingencies that may shape these larger developments, this structural approach makes scholars far less attentive to the "hard work" (ideological, political, social) undertaken by individuals and groups at every level of society wh...
What should one know in order to position oneself vis-à-vis other religions and confessions? What is religious knowledge and how should it be taught? This volume sheds light on educational media in Judaism and Christianity such as catechisms, children’s bibles, and sermons as well as Jewish and Protestant teacher training in 19th-century Germany and explores the methodological potentials of educational media as a source for (inter-)religious history. It reflects on broader processes of knowledge production and the impact of science and scholarship on religious edu-cation and knowledge production within Christian and Jewish contexts. The volume draws on an interdisciplinary conference that...
The influence of censorship on the intellectual and political life in the Habsburg Monarchy during the period under scrutiny can hardly be overstated. This study examines the institutional foundations, operating principles, and results of the censorial activity through analysis of the prohibition lists and examination of the censors themselves. The effects of censorship on the authors, publishers, and booksellers of the time are illustrated with the help of contemporary documents. Numerous case studies focus on individual works forbidden by the censors: Romanticists like Ludwig Tieck and E. T. A. Hoffmann and even authors of classic German literature like Wieland, Goethe, and Schiller saw their works slashed, as did writers of popular French and English novels and plays. An annex documents the most important regulations along with a selection of censorial reports.
Jonathan Sperber’s Revolutionary Europe 1780–1850 is a history of Europe in the age of the French Revolution, from the end of the old regime to the outcome of the revolutions of 1848. Fully revised and updated, this second edition provides a continent-wide history of the key political events and social transformation that took place within this turbulent period, extending as far as their effects within the European colonial society of the Caribbean. Key features include analyses of the movement from society’s old regime of orders to a civil society of property owners; the varied consequences of rapid population increase and the spread of market relations in the economy; and the upshot ...
Explains why the liberalism of a group of elites, the owners of Berlin's grand hotels, gave way to a more aggressive nationalism and conservatism after World War I – a shift which contributed directly to Hitler's rise to power. This title is also available as open access on Cambridge Core.
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fun...
National Cleansing examines the prosecution of more than one-hundred thousand suspected war criminals and collaborators by Czech courts and tribunals after the Second World War. As the first comprehensive history of postwar Czech retribution, this book provides a new perspective on Czechoslovakia's transition from Nazi occupation to Stalinist rule in the turbulent decade from the Munich Pact of September 1938 to the Communist coup d'état of February 1948. Based on archival sources that remained inaccessible during the Cold War, National Cleansing demonstrates retribution's central role in the postwar power struggle and the contemporary expulsion of the Sudeten Germans.