You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume offers comprehensive coverage of the archaeology of Anglo-Saxon England, bringing together essays on specifi fields, sites and objects, and offering the reader a representative range of both traditional and new methodologies and interdisciplinary approaches to the subject.
`The Sutton Hoo `princely' burials play a pivotal role in any modern discussion of Germanic kingship.'EARLY MEDIEVAL EUROPE The age of Sutton Hoo runs from the fifth to the eighth century AD - a dark and difficult age, where hard evidenceis rare, but glittering and richly varied. Myths, king-lists, place-names, sagas, palaces, belt-buckles, middens and graves are all grist to the archaeologist's mill. This book celebrates the anniversary of the discovery of that most famous burial at Sutton Hoo. Fifty years ago this great treasure, now in the British Museum, was unearthed from the centre of a ninety-foot-long ship buried on remote Suffolk heathland. Included in this volume are 23 wide-ranging essays on the Age of Sutton Hoo and director Martin Carver's summary of the latest excavations, which represent the current state of knowledge about this extraordinary site. That it still has secrets to reveal is shown by the last-minute discovery of a striking burial of a young noble with his horse and grave goods.M.O.H. CARVER is Professor of Archaeology at York University, and Director of the Sutton Hoo Research Project.
"A breadth of interdisciplinary voices" discuss how geographical insularity - specifically that of Britain and Ireland - has affected artistic tradition.
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
The early medieval ship burial at Sutton Hoo in Suffolk, whose discovery in 1938 yielded such rich treasures, posed many questions about the history of England in the shadowy period from the 5th to the 11th century. This one-volume edition of the annual bulletins of the recent archaeological campaign (1983-92), directed by Martin Carver, shows how the dig succeeded in establishing a context for those earlier finds, extending knowledge of the culture and society of the age.
The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - Peopling Insular Art: Practice, Performance, Perception - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with ‘engagementâ...