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Comparative Criticism, first published in 2000, addresses itself to the questions of literary theory and criticism, to comparative studies in terms of theme, genre movement and influence, and to interdisciplinary perspectives. Articles include: Afloat on the Sea of Stories: World tales, English Literature, and geopolitical aesthetics; Classics and the comparison of adjacent literatures: some Pakistani perspectives; Performance Literature: the traditional Japanese theatre as model; 'Am I in that name?' Women's writing as cultural translation in early modern China; stabat mater: reflections on a theme in German-Jewish and Palestinian-Arab poetry. The winning entries in the 1999 BCLA/BCLT translation competition are also published.
This book brings together top scholars from various backgrounds to explore methodologies for studying ritual and Catholicism. The essays focus on particular aspects of ritual within Catholic practice, such as liturgy and performance and healing rituals.
Eminent scholaars of Indian Liguistics have offered insightful articles in honor of Prof. George Cardona, a luminary in the field of Indo-European, Indo-Aryan, and Paninian Studies for the past four decades. Besides Cardona`s bibliography, the volume contains 23 papers in the following areas: 1. Sanskrit Grammatical Theory; 2. Karaka Studies; 3. Historical Studies in Grammatical Traditions; 4. Lexical Studies; 5. Studies in Culture; 6. Modern Indian Languages. This volume represents cutting-edge research in the field of Indian Linguistic and Culture.
This primer presents a systematic introduction to the structure of Modern Standard Hindi. It is intended to provide the student with a thorough foundation in the grammatical structure of that variety of Hindi that is commonly taught in Indian schools and that is the common vehicle of publication in Hindi. Although much emphasis is placed on the written language, discussion is also provided of aspects of conversational Hindi. The core of the work contains thirty on chapters. The first four offer discussions of the linguistic status of Hindi as well as comprehensive descriptions of Hindi phonetics and the Devanagari syllabary in which Hindi is written. Chapters 5 through 31 each contains descr...
He has his landscapes on his fingertips. Fiercely Indian, his writings are a protest against an arrogant Western gaze. Prakash s stories are an ingenuous creative effort towards developing an alternate mythography of India that is provincial but not parochial.
Along with Manto s open letter to Nehru that reveals his state of mind after the Partition, this collection captures the best of Manto s literary powers. Part of the Pakistan Writers Series, which presents English translations of Urdu fiction from Pakistan, Black Margins encompasses the range of Manto s thematic and formalistic concerns.
Bully. Outsider. Iconoclast. Villain. Antagonist. Misfit. This is how the Hindi literary world perceives Upendranath Ashk. In this powerful biography, Daisy Rockwell presents the many faces of the writer and his tumultuous life and times, unfolding in the process, the period, the literary histroy of Hindi and the Hindi-Urdu divide. She also traces the development of Modern Standard Hindi, participants in its evolution and Ashk's role in it.
This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research. Featuring fourteen new essays organized into three sections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to...
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