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Taste
Fiction. Daniel is a twenty-first century connoisseur with distinctive and often anachronistic tastes aesthetic, culinary, and even mind-altering. When Daniel sets out to seek answers about his past in long-sealed documents, he makes a startling discovery that leads him on a cross-country quest. In the course of his travels, he becomes preoccupied with Antoinette, an enigmatic archivist who may hold the key to his search. When he discovers she may be involved with his closest friend, Roger, he comes to distrust them both. His quest becomes a dangerous obsession that drives him to the brink of madness. Rockwell's prose evokes the dark humor of Edgar Allan Poe and the uneasy aristocrats of Edith Wharton in this new novel of aesthetic obsession. "With huge amounts of imagination and flair, Daisy Rockwell has written a wonderfully funny but ultimately chilling parable about the wages of connoisseurship. I thrilled to it." Henry Alford"
Upendranath Ashk
Bully. Outsider. Iconoclast. Villain. Antagonist. Misfit. This is how the Hindi literary world perceives Upendranath Ashk. In this powerful biography, Daisy Rockwell presents the many faces of the writer and his tumultuous life and times, unfolding in the process, the period, the literary histroy of Hindi and the Hindi-Urdu divide. She also traces the development of Modern Standard Hindi, participants in its evolution and Ashk's role in it.
Falling Walls
A young man from Jalandhar longs to become a writer but fails at every turn. Upendranath Ashk's 1947 novel explores in great detail the trials and tribulations of Chetan. From the back galis of Lahore and Jalandhar to Shimla's Scandal Point, Falling Walls offers a rich and intimate portrait of lower-middle-class life in the 1930s and the hurdles an aspiring writer must overcome to fulfil his ambitions.
Tomb of Sand
WINNER OF THE 2022 INTERNATIONAL BOOKER PRIZE A playful, feminist, and utterly original epic set in contemporary northern India, about a family and the inimitable octogenarian matriarch at its heart. “A tale tells itself. It can be complete, but also incomplete, the way all tales are. This particular tale has a border and women who come and go as they please. Once you’ve got women and a border, a story can write itself . . .” Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her family’s cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Ma’s every need, while ...
The Women's Courtyard
"First published in Urdu as åAngan by Sang-e-Meel Publications 1962"--Title page verso.
The Little Book of Terror
Literary Nonfiction. Art. THE LITTLE BOOK OF TERROR is a treasure that defies easy classification: more than a collection of paintings, more than a compilation of piquant, compelling essays, it can be thought of as a secular missal, offering a new liturgy for observing the Rite of The Contrary. THE LITTLE BOOK OF TERROR is a literary missile, as well—Daisy Rockwell's searing images and carefully-crafted prose aim directly at the bloated heart of Imperial pretension. On impact, Rockwell's work makes rubble of propaganda passing as conventional wisdom, leaving in its place a new vista from which to consider the "Global War on Terror" and its complicated combatants. For Rockwell's legions of readers and admirers, THE LITTLE BOOK OF TERROR is a blast of a different kind: a stirring read, a poignant comment, and a collection of sights not soon forgotten.
A Gujarat Here, a Gujarat There
Delhi, 1947. The city surges with Partition refugees. Eager to escape the welter of pain and confusion that surrounds her, young Krishna applies on a whim to a position at a preschool in the princely state of Sirohi, itself on the cusp of transitioning into the republic of India. She is greeted on arrival with condescension for her refugee status, and treated with sexist disdain by Zutshi Sahib, the man charged with hiring for the position. Undaunted, Krishna fights back. But when an opportunity to become governess to the child maharaja Tej Singh Bahadur presents itself-and with it a chance to make Sirohi her new home once and for all-there is no telling how long this idyll will last. Part novel, part memoir, part feminist anthem, A Gujarat Here, A Gujarat There is not only a powerful tale of Partition loss and dislocation but also charts the odyssey of a spirited young woman determined to build a new identity for herself on her own terms.
Hats and Doctors
Hats and Doctors offers English readers the opportunity to savour, for the first time, the work of Upendranath Ashk, one of Hindi literature’s best-known authors. The stories in this collection often display a wry sense of humour, such as ‘The Dal Eaters’ in which a family of cheapskates journeys to Kashmir. While Ashk’s satirical eye is employed to great effect in ‘The Cartoon Hero’, where a hapless traveller encounters a petty politician on a train, his talent for capturing human frailties is amply evident in ‘Furlough’ and ‘In the Insane Asylum’. Exhibiting a lightness of touch and a deep engagement with the human condition, these stories come alive in Daisy Rockwell’s delightful translation.
A Promised Land
In the wake of the Partition, a new country is born. As millions of refugees pour into Pakistan, swept up in a welter of chaos and deprivation, Sajidah and her father find their way to the Walton refugee camp, uncertain of their future in what is to become their new home. Sajidah longs to be reunited with her beloved Salahuddin, but her journey out of the camp takes an altogether unforeseen route. Drawn into the lives of another family-refugees like herself-she is wary of its men, particularly Nazim, the eldest son whose gaze lingers over her. But it is the women of the household whose lives and choices will transform her the most: the passionately beseeching Saleema, her domineering mother Khala Bi, the kind but forlorn Amma Bi, and the feisty young housemaid Taji. With subtlety and insight, Khadija Mastur conjures a dynamic portrait of spirited women whose lives are wrought by tragedy and trial even as they cling defiantly to the promise of a better future.
FIFTY-FIVE PILLARS, RED WALLS
Description First published in 1961, Usha Priyamvada's debut novel Pachpan Khambe, Laal Deewaarein is located within the boundaries of an all-women's college in Delhi. Behind its walls is Sushma Sharma-lecturer, warden, single, and sole provider for her large family. Despite her relative youth and elegance, she is resigned to the regimented loneliness of her life, until a chance meeting with the charismatic Neel. Then, long-thwarted desires uncurl and the shackles she has accepted suddenly begin to seem unbearable. But the world around her is still unchanged, and independence still causes scandal... In spare, evocative prose, Fifty-five Pillars, Red Walls skilfully explores the physical, mental and social paradigms which locked so many women into narrow ideals, as they still do. Daisy Rockwell's pitch-perfect translation brings this quietly intense, poignant and pathbreaking Hindi novel into the blazing spotlight of classic Indian literature for the first time
