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Memories of a Vanished Time
  • Language: en
  • Pages: 311

Memories of a Vanished Time

My mother, Ruth Blumenfeld, née Korn, was born on January 15, 1915; and died on August 18, 2015, aged one hundred years, seven months, and three days. My father, Max David Blumenfeld, was born on February 25, 1911 and died on December 26, 1994, about two months shy of his eighty-fourth birthday... I love my parents so much and I don’t want them to be forgotten, which is why I am writing this book. And I am writing this memoir for myself as much as for anyone else, because in doing so I bring my parents back to life in my memory. I do the same when it comes to my grandparents and aunts and uncles. I write also for my family members, who may wish to know more about our background. And I am ...

Two Plays
  • Language: en

Two Plays

  • Type: Book
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  • Published: 2023-10-15
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  • Publisher: Xlibris Us

The Count of Sainte-Hélène: A Balzacian Melodrama takes place in 1817-1818 in Paris, during the Bourbon Restoration when Louis XVIII had been placed on the throne of France at the decree of the Congress of Vienna after the defeat of Napoleon at Waterloo in 1815. This play is based on one of the most sensational cases solved by the first great detective in history, Eugène-François Vidocq, the ex-convict who became head of the French Sûreté (the Security Service of the French police). An altogether extraordinary individual, he was an acquaintance of Victor Hugo, who based both Jean Valjean and Inspector Javert in Les Misérables on Vidocq; and a friend of Balzac, whose character Vautrin ...

Blumenfeld's Dictionary of Acting and Show Business
  • Language: en
  • Pages: 396

Blumenfeld's Dictionary of Acting and Show Business

The first complete entertainment dictionary to be published, this work contains entries on acting in film, professionalism in acting, verse technique, and more. An invaluable index of subjects by category covers 17 topics, including lighting, commercials, contracts, drama, professional organizations, the media, and theater.

Teach Yourself Accents - The British Isles
  • Language: en
  • Pages: 129

Teach Yourself Accents - The British Isles

(Limelight). Do you need to learn an English or Irish accent quickly, or do you have plenty of time? Either way, Teach Yourself Accents The British Isles: A Handbook for Young Actors and Speakers is for you: an easy-to-use manual full of clear, cogent advice and fascinating information. Contemporary monologues and scenes for two are included, and audio tracks feature extensive practice exercises. Perfect for the young acting student, the book will help anyone beginning a study of accents to get a rapid handle on the subject and use any accent immediately, with an authentic sound. More experienced actors who need an authoritative quick guide for an audition or for role preparation will find i...

Accents
  • Language: en
  • Pages: 448

Accents

(Limelight). This practical reference manual, with its precise, authentic instructions on how to speak in more than 100 dialects, has established itself as the most useful and comprehensive guide to accents available, now increased by a third in this revised printing. As before, the accents range from regional U.S. and British dialects to European accents that include, among others, the Germanic, Slavic and Romance Languages. Completing his around-the-world journey, the author then covers the Middle East, Africa and Asia. Online audio is accessed at halleonard.com/mylibrary

Blumenfeld's Dictionary of Musical Theater
  • Language: en
  • Pages: 419

Blumenfeld's Dictionary of Musical Theater

Have you heard of the first American musical, "The Black Crook", which opened in 1866 and had fifteen revivals? Its chorus of ladies in pink tights was a sensation! Do you know Oscar Straus' hilarious parody of Wagner's Ring cycle, "Die lustigen Nibelungen" ("The Merry Nibelungs")? Do you know who the Ricci brothers, the Piccinni family, Edmond Audran, David Braham, or Francois-Joseph Gossec were? Look them up in this remarkable, thoroughly researched, lively book. Packed with nuggets of useful and fascinating information, with nearly 1,800 entries, this is a must-have research tool and handy reference for the theater and music lover, student, teacher, professional singer, director, and prod...

Acting with the Voice
  • Language: en
  • Pages: 388

Acting with the Voice

An actor, dialect coach, and writer in New York City, Blumenfeld offers advice to working actors on how to expand their potential for work by recording books. He talks about the business, the voice, diction and pronunciation, microphone and recording techniques, acting methods, and reading techniques.

Stagecraft
  • Language: en

Stagecraft

  • Type: Book
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  • Published: 2011
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  • Publisher: Limelight

STAGECRAFT: STANISLAVSKY AND EXTERNAL ACTING TECHNIQUES--A COMPANION TO USING THE STANI

Using the Stanislavsky System
  • Language: en
  • Pages: 404

Using the Stanislavsky System

Suitable for professional and student actors, and for acting teachers, this book explains how to create a character in plays of various period, using the Stanislavsky system. It also covers the way men and women moved, stood, and sat in the clothing they wore; and, the use of accessories such as fans, swords, snuffboxes, gloves, and hats.

Tools and Techniques for Character Interpretation
  • Language: en
  • Pages: 356

Tools and Techniques for Character Interpretation

(Limelight). A must for both the aspiring and seasoned artist. Uniquely geared to the work of theatre and film artists, this book, for the first time, sets out clearly and concisely the ideas, principles, and character typology of various psychological schools from Freudian, Kleinian, and Jungian to contemporary developments. The practical uses and applications of their theories are graphically demonstrated throughout the book by means of numerous examples and in-depth analyses drawn from classic and contemporary theatrical and cinematic literature. Stanislavskian methods are also discussed. An immensely useful, essential tool for character creation and analysis. Features a foreword by noted acting teacher Alice Spivak.