You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Acclaimed on first publication, Harriet Vyner's Groovy Bob is the cult biography of hedonistic gallery owner Robert Fraser and a dazzling evocation of 1960s culture and counter-culture. Taste-maker, heroin addict and promiscuous homosexual, Fraser astonished London with the artists he introduced: Andy Warhol, Peter Blake, Claes Oldenburg, Keith Haring and Jean-Michel Basquiat. Told through the voices of those who knew him best--Paul McCartney, Richard Hamilton, Mick Jagger, Bridget Riley, Keith Richards, Kenneth Anger, Malcolm McLaren and Vyner herself--Groovy Bob is a brilliant biography and a searing portrait of the most exhilarating period in post-war British social history. This edition features a new afterword by the author and colour plates including works from the major exhibition A Strong Sweet Smell of Incense: A Portrait of Robert Fraser, curated by Vyner and Brian Clarke at Pace London, 2015.
Arrested for possession of drugs with Mick Jagger and Keith Richards in the infamous 1967 Redlands bust, Robert Fraser embodied many of the elements that made up Swinging London in the 1960s: pop music, fashion, drugs, art, and cinema. A trendsetter, hedonist, and lousy businessman, he was also the visionary art dealer responsible for introducing Roy Lichtenstein, Jasper Johns, Andy Warhol, and Jim Dine to the London art world. But by the time of his death in 1986 he had become an almost forgotten figure, his sixties vision out of tune with the conservatism of the eighties. In this biography, told through the voices of those who knew Fraser best -- Paul McCartney, Mick Jagger, Keith Richards, Marianne Faithfull, Kenneth Anger, Dennis Hopper, and many others -- Harriet Vyner has resurrected an extraordinary cultural figure.
This surprising study draws together the disparate fields of postcolonial theory and book history in a challenging and illuminating way. Robert Fraser proposes that we now look beyond the traditional methods of the Anglo-European bibliographic paradigm, and learn to appreciate instead the diversity of shapes that verbal expression has assumed across different societies. This change of attitude will encourage students and researchers to question developmentally conceived models of communication, and move instead to a re-formulation of just what is meant by a book, an author, a text. Fraser illustrates his combined approach with comparative case studies of print, script and speech cultures in South Asia and Africa, before panning out to examine conflicts and paradoxes arising in parallel contexts. The re-orientation of approach and the freshness of view offered by this volume will foster understanding and creative collaboration between scholars of different outlooks, while offering a radical critique to those identified in its concluding section as purveyors of global literary power.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This pioneering biography of the British poet and translator David Gascoyne (1916-2001) candidly describes his creative work, involvement with surrealism, addictions, tormented private life, and his many friendships in England and France.
Barker was Catholic and bohemian, frank and elusive, tender and boisterous. Yeats thought him the most interesting poet of his generation, and by the 1950s he was the toast of Soho. This biography offers a portrait of a talented, tormented and entertaining man.
Art, politics and dissent provides a counter history to conventional accounts of American art.. Close historical examinations of particular events in Los Angeles and New York in the 1960s are interwoven with discussion of the location of these events, normally marginalised or overlooked, in the history of cultural politics in the United States during the postwar period.. This book is based on detailed and new research from a range of sources including the alternative press, such as the Los Angeles Free Press; public and private archives; interviews and oral histories.. Interdisciplinary in approach, it adds substantially to recent innovative research and teaching approaches in art history and other related disciplines.. Provides essential case studies for taught courses; scholarly debate and general cross-disciplinary readership.
Pace London is honoured to present A Strong Sweet Smell of Incense, a momentous exhibition that will take as inspiration the character and career of celebrated art dealer and pioneer, Robert Fraser. Curated by his friend Brian Clarke, this exhibition will showcase many of the luminaries of the American and European contemporary art scenes that passed through his gallery. The Robert Fraser Gallery was one of the preeminent galleries showing both emerging European and American artists in the 1960's and 80's in London. -- Pace London.