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"Governmental and Nonprofit Accounting," Revised Sixth Edition provides a better balance between theory and practice than other texts, with the most up-to-date coverage. It provides readers with a thorough basis for understanding the logic for and nature of all of the funds and account groups of a government, with a unique approach that enables readers to grasp the entire accounting and reporting framework for a government before focusing on specific individual fund types and account groups. Includes coverage of the new reporting model standard: GASB "Statement 34." Includes illustrations of government-wide financial statements and fund-based financial statements presented using the major fund approach. Points out the major changes required from the current guidance and explains and illustrates the requirements of the new model. Explains and illustrates the GASB Statement 31. Contains the latest revision of OMB Circular A-133 on single audits. Appropriate for undergraduate Accounting courses, such as Governmental Accounting, Public Sector accounting, Government and Nonprofit Accounting, and Fund Accounting.
Tess is a suburban housewife who had the usual issues with her parents as children do growing up, but always trusted that they were honest with her and her three siblings. She never had a reason to doubt them until she discovered her parents secret. The Indian I Never Was, is about Tess' journey after exposing her parents secret. For 36 years her trust was in her parents. She felt safe and protected. Her belief was that they would never allow any harm to come to her. They were her refuge. But now, the secret that they closely guarded had been revealed. The secret that exposed them destroyed her being, her reality. At the moment of truth, Tess felt she had become displaced, non-existent. She was not any longer Tess. She was just a figment of her own imagination.
Bob's photos were amongst the best ever taken of the Beatles. Paul McCartney
Re-issue of a foundational work in the field of business ethics from R. Edward Freeman.
The Crisis of Classical Music in America by Robert Freeman focuses on solutions for the oversupply of classically trained musicians in America, problem that grows ever more chronic as opportunities for classical musicians to gain full-time professional employment diminishes year upon year. An acute observer of the professional music scene, Freeman argues that music schools that train our future instrumentalists, composers, conductors, and singers need to equip their students with the communications and analytical skills they need to succeed in the rapidly changing music scene. This book maps a broad range of reforms required in the field of advanced music education and the organizations responsible for that education. Featuring a foreword by Leonard Slatkin, music director of the Detroit Symphony Orchestra, The Crisis of Classical Music in America speaks to parents, prospective and current music students, music teachers and professors, department deans, university presidents and provosts, and even foundations and public organizations that fund such music programs. This book reaches out to all of these stakeholders and argues for meaningful change though wide-spread collaboration.
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