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A Mind Apart
--Book Jacket.
At the Barriers
Maverick gay poetic icon Thom Gunn (1929–2004) and his body of work have long dared the British and American poetry establishments either to claim or disavow him. To critics in the UK and US alike, Gunn demonstrated that formal poetry could successfully include new speech rhythms and open forms and that experimental styles could still maintain technical and intellectual rigor. Along the way, Gunn’s verse captured the social upheavals of the 1960s, the existential possibilities of the late twentieth century, and the tumult of post-Stonewall gay culture. The first book-length study of this major poet, At the Barriers surveys Gunn’s career from his youth in 1930s Britain to his final years in California, from his earliest publications to his later unpublished notebooks, bringing together some of the most important poet-critics from both sides of the Atlantic to assess his oeuvre. This landmark volume traces how Gunn, in both his life and his writings, pushed at boundaries of different kinds, be they geographic, sexual, or poetic. At the Barriers will solidify Gunn’s rightful place in the pantheon of Anglo-American letters.
Sapphics and Uncertainties
"Desperately and delightfully unfashionable" was how reviewer Richmond Lattimore characterized Timothy Steele's Uncertainties and Rest when it first appeared in 1979. Sapphics against Anger and Other Poems appeared in 1986 and solidified and extended Steele's reputation as, in the words of Publishers Weekly, "one of the finest contemporary poets to write in meter and traditional forms." Sapphics and Uncertainties: Poems 1970-1986 draws together these two books into a single volume. This collection offers the most substantial gathering yet from a body of work widely praised for its tonal and thematic range and for its wit and warmth of feeling.
The Latin Poems
This work is based on a simple premise-that in the case of a major figure like Johnson the reader should have access to all his work. Johnson himself would not have wished that in an age when very few can read the language his Latin poetry should be consigned to a separate category, closed to most educated readers.
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