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Robert Mangold
The catalogue raisonne "Robert Mangold: Early Works 1963-66" for the first time entirely documents and links two of Mangold's earliest series, and explores the role this early work played in shaping Mangold's future art-making practice. The book features an essay by Robert Storr, and documents the exhibition "Wall, Window, Area: Robert Mangold: Early Paintings, 1964-65" presented at Peter Freeman, Inc., in 2002.
Robert Mangold
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Robert Mangold
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Paintings 1964-1982
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Robert Mangold
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Minimal Art
The bare minimum Often regarded as a backlash against abstract expressionism, Minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting artworks as simple objects, minimalist artists sought to communicate esthetic ideals without reference to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today. This book explains the how, why, where and when of Minimal Art, and the artists who helped define it. Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bla...
Abstract Painting and the Minimalist Critiques
This book undertakes a critical reappraisal of Minimalism through an examination of three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing their substantive engagements with Minimalist discourse, as well as their often overlooked artistic exchanges with their sculptor peers, it demonstrates that painting crucially informed the movement’s development, serving not only as an object of critique but also as a crucible for its most central tenets. It also poses broader disciplinary implications as it historicizes and challenges Minimalism’s "death of painting" critiques that have been so influential to theories of modernism and postmodernism in the visual arts.
The Nonconformist's Memorial
The Nonconformist's Memorial is a gathering of four long sequences that underscores Susan Howe's reputation as one of the leading experimentalists writing today. Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T.S. Eliot and the abstract expressionists. The sequences fall into two sections, "Turning" and "Conversion", in half-ironic nonconforming counterpoint to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought".
Robert Mangold
Artist proof edition of 10. Each artist's proof edition is accompanied by a loose woodcut print, signed and numbered by the artist on the sheet, and a collector's edition box.
Robert Mangold
Parasol unit, London presents a new exhibition by the American artist Robert Mangold. This is Mangold's first solo show in a UK institution. The exhibition (and this accompanying catalogue) concentrates on three dynamic groups of painting that Mangold executed between 1980 and 1986, entitled X, Plus and Frame Painting series. These outstanding and rarely exhibited works continue to express Mangold's central concern in painting, namely the relationship between plane and figure and mark a pivotal point in his artistic career. Of particular importance is Mangold's use of vivid and intense colour combination which highlights the interplay of scale and perception. The x and + series', as their ti...
