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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Written by a team of leading international scholars, this Companion is designed to illuminate Shakespeare's works through discussion of the key topics of Shakespeare studies. Twenty-one essays provide lively and authoritative approaches to recent scholarship and criticism for readers keen to expand their knowledge and appreciation of Shakespeare. The book contains stimulating chapters on traditional topics such as Shakespeare's biography and the transmission of his texts. Individual readings of the plays are given in the context of genre as well as through the cultural and historical perspectives of race, sexuality and gender, and politics and religion. Essays on performance survey the latest digital media as well as stage and film. Throughout the volume, contributors discuss Shakespeare in a global as well as a national context, a dramatist with a long and constantly mutating history of reception and performance.
This book examines the relationship between wartime conflict and theatre practices. Bringing together a diverse collection of essays in one volume, it offers both a geographically and historically wide view of the subject, taking examples from Britain, Australia and America to the Middle East, Korea and China, and spanning the fifth century BCE to the present day. It explores the ways in which theatre practices have been manipulated for use in political and military propaganda, such as the employment of scenographers to work on camouflage and the application of acting methods in espionage training. It also maps the change in relationships between performers and audiences as a result of conflict, and the emergence of new forms of patronage during wartime theatre-going, boosting morale at periods when social structures and identity were being destabilized.
Published to coincide with the centenary of Gielgud's birth, this is the remarkable autobiography of one of the greatest actors of the 20th century, seen through his frank, mesmerizing, and intimate letters. of photos. Line drawings.
Edith Louisa Cavell was an English nurse serving in Brussels during WWI who assisted many British, French, and Belgian soldiers to cross the border into neutral Holland. Cavell was betrayed by a spy and arrested by German Police. The outcome of her court martial is well-known and well-preserved. She was found guilty and condemned to death. Historical introduction.
This book reads Victorian fin de siècle literature through the medium of perceptions of childhood. It examines the connection between ‘monstrous’ and idealistic symbolic representations of childhood represented by key cultural discourses of the Victorian fin-de-siècle. Specifically, anxieties about change are linked closely to anxieties about childhood, procreation, and maturation in a range of Children’s and Adults’ texts from the 1860s to the 1890s. The book demonstrates the ways in which the emergent social movements which have come to define and represent change in the fin-de-siècle period were inherently concerned with the ideas of childhood and parenthood and the ways in whi...
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. In his Introduction to this second edition of As You Like It, its editor, Michael Hattaway accounts for what makes this popular play both innocent and dangerous. In performance it can appear bright or sombre: a feast of language and a delight for comic actors, or a risk-taking exploration of gender roles. This edition includes a new section on recent critical interpretations and dramatic productions of the play as well as an appendix on an early court performance of As You Like It in 1599. Commentary on the play's language, an updated reading list and an account of the play in performance are also included.
America’s Teilhard: Christ and Hope in the 1960s is a study of the reception of Teilhard in the United States during this period and contributes to an awareness of the thought of this important figure and the impact of his work. Additionally, it further develops an understanding of U.S. Catholicism in all its dimensions during these years, and provides clues as to how it has unfolded over the past several decades. Susan Sack argues that the manner and intensity of the reception of Teilhard’s thought happened as it did at this point in history because of the confluence of the then developing social milieu, the disintegration of the immigrant Catholic subculture, and the opening of the chu...