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Pre-Columbian Art
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Life’S Punctuated Immortality
This glorification of nature, in general incorporates themes of Darwinian evolution through natural selection, extending to investigation of the origin of life from elements made in the stars, to contemplation of consciousness, self-awareness, laws of nature (physics) and probabilities of exact duplication of life-forms (including man) over stretches of time and planetary realms (our punctuated immortality). Overall, there is celebration of the gift of life through each incarnation of birth, death and rebirth in view of science and thoughts of spirituality. The subsuming principle throughout is love, from its haven in the light of dreams to magnanimous configurations that sustain the ethos o...
Pre-Columbian Art
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Hunted
Those that are dead are the lucky ones. Most of the Earth's population has been wiped out. Those that were spared are doomed to go on living in an empty world full of memories and ghosts. Mark is one of those few, surviving in the forest on the edge of his hometown in crippling isolation. His existence is purposeless. He scavenges for what he can whilst doing everything to avoid the Hunters, deadly creatures that stalk through the ruins in search of prey. Then one day, Mark finds something on one of his journeys. Something he never imagined he could find. A child - completely helpless and destined to be the world's next victim. Mark knows what he must do. He takes the child and raises him as his own. But in a world fraught with danger and with no hope of a future, he soon finds himself tortured by his decision. And it won't be long before they face a new threat - one far more dangerous than Hunters - that will push that decision to its breaking point.
Pre-Columbian Art
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A Home of the Humanities
Mildred and Robert Woods Bliss were consummate collectors and patrons. The illustrated essays in this volume reveal how the Blisses' wide-ranging interests in art, music, gardens, architecture, and interior design resulted in the creation of the Dumbarton Oaks Research Library and Collection--what they came to call their "home of the humanities."
The Ruins of Palmyra
"Wood's Palmyra and Balbec were first printed in 1753 and 1757, respectively, in simultaneous English and French editions. (For the circumstances of publication, see the Introduction below.) Both were republished in a single volume in 1827 (London: William Pickering); and reprinted in separate volumes in 1971 (Westmead: Gregg International). No manuscript of the texts is known to survive, but Borra's drawings for the plates are preserved in the collection of the Royal Institute of British Architects (see, e.g., Figure 7 in the Introduction below). The present text is based on the original English editions of 1753 and 1757. Orthography and capitalization have been modernised, punctuation has ...
