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Kenneth Sandford, Merely Corroborative Detail
A humorous biography of the legendary D'Oyly Carte baritone, Kenneth Sandford, which includes a detailed examination of his famous 'Pooh-Bah' roles and a selection of amusing press reviews.
The Gasbag
None
D'Oyly Carte
'D'Oyly Carte: The Inside Story' looks at the life of the historic D'Oyly Carte Opera Company between 1950 and its sad demise in 1982. After thrilling audiences on both sides of the Atlantic from the time of Queen Victoria with its productions of Gilbert and Sullivan, the last great touring repertory company said farewell to its audiences after 107 years. Although many books have been written about the company founded by Richard D'Oyly Carte in 1875, none has been from the perspective of its members. This book details the working life of every department of the famous company, from its London management to the wardrobe department, as told by Roberta Morrell, herself a performer with the comp...
Educating Peter
The executive editor of "Food & Wine" magazine takes her good friend and complete wine idiot, "Rolling Stone" magazine film critic Peter Travers, on an often hilarious and always informative whirlwind tour of the world of wine.
That Voice
As an adolescent in Syracuse, New York, Marcia Menter fell in love with the recorded voice of Ann Drummond-Grant, a Scottish contralto who sang with the D’Oyly Carte Opera Company, the legendary Gilbert and Sullivan troupe. She dreamed of singing with the company, even though it didn’t hire Americans—and even though, as she soon found out, Ann Drummond-Grant had died years earlier. But her dream persisted, and for the young music lover, Drummie’s glorious voice remained a living presence—a refuge from the race riots and political upheavals of her school years. Menter earned a conservatory degree in singing before finally realizing she was not a performer at heart. She spent decades searching for Ann Drummond-Grant—visiting places she lived and interviewing people who knew her—and putting together the puzzle of her life. This is the story of a singer and her listener—of two separate lives divided by time and geography but connected in unexpected ways.
Oh Joy! Oh Rapture!
In Oh Joy! Oh Rapture! expert and enthusiast Ian Bradley explores the world of Gilbert and Sullivan over the last four and a half decades, looking at the way this "phenomenon" is passed from generation to generation. Taking as his starting point the expiry of copyright on the opera libretti at the end of 1961 and using fascinating hitherto unpublished archive material, Bradley reveals the extraordinary story of the last years of the old D'Oyly Carte Opera Company, the guardian of Savoy tradition for over a hundred years, and the troubled history of its successor. He explores the rich vein of parodies, spoofs, and spin-offs of the songs, as well as their influence on twentieth century lyricists and composers. He analyzes professional productions across the world, looks at the unique place of G&S in schools, colleges, and universities, and lovingly explores the culture of amateur performance. He also uncovers the largely male world of the obsessive fans, those collecting memorabilia, the myriad magazines, journals, websites, and festivals devoted to G&S, and the arcane interests of some of the faithful "inner brotherhood."
The Wine Spectator
None
The Complete Annotated Gilbert and Sullivan
The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.
