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The updated and revised edition of this volume maintains its focus on the dialectic interrelation between ‘news’ and ‘change’. News is intended as a textual type in its evolutionary – and revolutionary – development, while change is discussed with reference to the form, content and structure of news texts. The news texts in question range from the first forms of periodical news in the seventeenth century up to the news blogs and social media of the present day. Divided into four chapters, representing key historical moments in the process of news writing, each chapter makes use of a set of corpora specifically designed to suit the needs of scholars working in those particular fie...
Dictionaries are mines whose word-gems encapsulate centuries of language history and cultural traditions; they are store-houses of meanings and uses, ‘lamp genies’ to be set free at the very moment readers set their eyes on their entries. This book is an attempt to free such lamp genies, by discussing the role of dictionaries in the identification and expression of cultural aspects in language, with special reference to English. As such, its eleven chapters have been arranged to focus on general, genre-specific, monolingual and bilingual lexicography, both from a diachronic and a synchronic perspective. The book will be of use to lexicographers and lexicologists, as well as to corpus linguists, historical and contemporary English scholars, students of English, and anybody interested in the juice of culture(s) that can be fruitfully extracted from dictionary entries.
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This book constitutes the proceedings of the 10th International Workshop on Fuzzy Logic and Applications, WILF 2013, held in Genoa, Italy, in November 2013. After a rigorous peer-review selection process, ultimately 19 regular papers were selected for inclusion in this volume from 29 submissions. In addition the book contains 3 keynote talks and 2 tutorials. The papers are organized in topical sections named: fuzzy machine learning and interpretability; theory and applications.
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.