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The emergence of a rabid cult following the film version of The Wicker Man prompted the publication of the novel on which it was based. And a good thing, too. As fine as the film is, the book has its own special charm.
A black comedy of religious sexuality and pagan murder, which inhabits the same territory as The Wicker Man. If I am a Rabbi, Jehova is my God. If I am a Mullah, Allah the merciful is He. If a Christian, Jesus is my Lord. Millions of people worldwide worship the sun. Here in Tressock I believe the old religion of the Celts fits our needs at this time. Isn't that all you can ask of a religion? Gospel singer Beth and her cowboy boyfriend Steve, two virgins promised to each other through 'the Silver Ring Thing', set off from Texas to enlighten the Scottish heathens in the ways of Christ. When, after initial hostility, they are welcomed with joy and elation to the village of Tressock, they assum...
This is a novel of religious sexuality and pagan murder. Ripping through the themes of religion, paganism, power, sex and sacrifice, "Cowboys for Christ" builds up to its gruesome, excruciating climax under the terrifying imagination of Robin Hardy.
He had a lot to offer, but his terms were high. What would you do if you received the offer of a lifetime--marriage to a billionaire--with one catch: you had to make up your mind without ever seeing him? When lowly bank teller Adair Weiss receives such an offer from reclusive philanthropist Fletcher Streiker, she is dumbfounded and disbelieving: Why me? What does he know about me? what does he want?Rejecting his offer would mean the end of her dream of dancing. But accepting it would change her life in ways she never guessed. Read the story and see if you can discover the hidden meaning.The Streiker Saga begins with Streiker's Bride, continues in Streiker: The Killdeer, and concludes in Streiker's Morning Sun.
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
When the throne and its heirs are threatened, Deirdre's father assigns her a guardian, whom she abuses mercilessly. At some point, she begins to love him, but he knows that to love her will mean his death. This 20th anniversary edition contains new material and 14 very special illustrations.
Almost fifty years after Britain and France left the Middle East, the toxic legacies of their rule continue to fester. To make sense of today's conflicts and crises, we need to grasp how Western imperialism shaped the region and its destiny in the half-century between 1917 and 1967. Roger Hardy unearths an imperial history stretching from North Africa to southern Arabia that sowed the seeds of future conflict and poisoned relations between the Middle East and the West. Drawing on a rich cast of eye-witnesses - ranging from nationalists and colonial administrators to soldiers, spies, and courtesans - The Poisoned Well brings to life the making of the modern Middle East, highlighting the great dramas of decolonisation such as the end of the Palestine mandate, the Suez crisis, the Algerian war of independence, and the retreat from Aden. Concise and beautifully written, The Poisoned Well offers a thought-provoking and insightful story of the colonial legacy in the Middle East.
The author pens a gay man's battle to govern his health, body, and sexuality while confronted with AIDS
Inside The Wicker Man is a treat for all cinemagoers, exhaustively researched and achieving a near-perfect balance between history, trivia and serious analysis. Allan Brown describes the filming and distribution of the cult masterpiece as a 'textbook example of How Things Should Never Be Done'. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious - if flawed - piece of cinema. Brown expertly guides readers through the film's convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures - many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.