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The Labour of Obedience
This important study of key Anglican Benedictine Communities in the first half of the 20th century provides a vital record of how the Anglican Communion dealt with an issue that was as divisive in its day as today's disputes over sexuality and women bishops, and explores the origins of the influential Anglican Papalism movement. It was the heyday of Anglo-Catholicism in the Church of England. Religious life was flourishing for the first time since the Reformation. The first shock came when the Abbot of Caldey, a flamboyant character noted for luxurious tastes, and his monks went over to Rome. Nashdom - the great Benedictine community to which Gregory Dix belonged and, in many ways, the ultim...
Unlocking the Church
Unlocking the Church is the story of a revolution. The Victorians transformed how churches were understood, experienced, and built. Initially controversial, this revolution was so successful that it has now been forgotten. Yet it still shapes our experience of church buildings and also helps make sense of what we should do with them now.
The Cowley Fathers
The Society of St John the Evangelist, otherwise known as the Cowley Fathers, was the first men’s religious order to be founded in the Church of England since the Reformation, as a result of the spread and influence of the Oxford Movement and its Anglo-Catholic spirituality in the 19th century. Established in Oxford in 1866, its charismatic founder, Richard Meux Benson worked closely with American priests and just four years later a congregation was founded in Massachusetts that flourishes to this day. The charism of the order embraced high regard of theology with practical service, fostered by an emphasis on prayer and personal holiness. Cowley, a poor and rapidly expanding village on the outskirts of Oxford, provided ample opportunity for service. At its height, the English congregation had houses in Oxford (now St Stephen’s House) and Westminster where figures such as C S Lewis sought spiritual direction. Now no longer operating as a community in Britain, this definitive and comprehensive history records its significant contribution to Anglicanism then and now.
Anglican Papalism
Anglo-Catholic readers will value this portrait of a small but powerful and characterful movement within its ranks.
The Oxford Handbook of the Oxford Movement
The Oxford Handbook of the Oxford Movement reflects the rich and diverse nature of scholarship on the Oxford Movement and provides pointers to further study and new lines of enquiry. Part I considers the origins and historical context of the Oxford Movement. These chapters include studies of the legacy of the seventeenth-century 'Caroline Divines' and of the nature and influence of the eighteenth and early nineteenth-century High Church movement within the Church of England. Part II focuses on the beginnings and early years of the Oxford Movement, paying particular attention to the people, the distinctive Oxford context, and the ecclesiastical controversies that inspired the birth of the Mov...
The London Gazette
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Outposts of the Faith
Outposts of the Faith offers ten compelling portraits of country churches where the Anglo-Catholic movement flourished during the twentieth century. Rightly famed for its dedicated and heroic work in poor inner-city areas, little is recorded about the impact of Anglo-Catholicism in rural parishes, nor have the stories of some of its more colourful rural priests and people been told, nor of those forces at work in out of the way places which affected the wider church and subsequent direction of the movement. From Cornwall to the Fens, Michael Yelton has conducted visits, interviews and archival research and has created vividly detailed and inspiring accounts. Here we encounter some well known...
The Art of the Sublime
In the view of Hegel and others, pagan art is the art of the beautiful and Christian art is the art of the sublime. Roger Homan provides a comprehensive and informative account of the course of Christian art, encompassing a re-evaluation of conventional aesthetics and its application to religious art. Homan argues that taste and aesthetics are fashioned by morality and belief, and that Christian art must be assessed not in terms of its place in the history of art but of its place in Christian faith. The narrative basis of Christian art is documented but religious art is also explored as the expression of the devout and as an element in the trappings of collective expression and personal quest. Sections in the book explore pilgrimage art, puritan art, the tension of Gothic and Classical, church architecture and the language of worship. Current areas of debate, including the relationship of ethics to the appreciation of art, are also discussed. An extensive range of examples of painting, architecture and decoration, most of which are of European origin, are discussed throughout, with a number of striking illustrations included within the text.
