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É com muito apreço que apresentamos essa Coletânea de Manuais de Direito Digital, elaborada com muito carinho para que todos os Universitários possam ter acesso a uma das mais dinâmicas áreas do Direito e vislumbrar um mundo novo; quando o Direito e as tecnologias se combinam, exigindo dos estudiosos do direito, uma compreensão além das leis. A compreensão do mundo digital tornou-se imprescindível para qualquer jurista que almeje sucesso em sua carreira uma vez que as novas tecnologias vieram mudar a forma como vivemos nosso cotidiano e transformando nossos horizontes. É com orgulho, que dedico essa Coletânea de Manuais de Direito Digital e todos os estudiosos e curiosos sobre os avanços e transformações subjacentes ao Direito Digital. Agradeço enormemente a todos que colaboraram com o enriquecimento dessa Coletânea de Manuais de Direito Digital! Anna Carolina Pinho
É com muito apreço que apresentamos essa Coletânea de Manuais de Direito Digital, elaborada com muito carinho para que todos os Universitários possam ter acesso a uma das mais dinâmicas áreas do Direito e vislumbrar um mundo novo; quando o Direito e as tecnologias se combinam, exigindo dos estudiosos do direito, uma compreensão além das leis. A compreensão do mundo digital tornou-se imprescindível para qualquer jurista que almeje sucesso em sua carreira uma vez que as novas tecnologias vieram mudar a forma como vivemos nosso cotidiano e transformando nossos horizontes. É com orgulho, que dedico essa Coletânea de Manuais de Direito Digital e todos os estudiosos e curiosos sobre os avanços e transformações subjacentes ao Direito Digital. Agradeço enormemente a todos que colaboraram com o enriquecimento dessa Coletânea de Manuais de Direito Digital! Anna Carolina Pinho
A sociedade da informação se manifesta com toda a sua potencialidade nesses tempos hodiernos e, com o avanço incessante da tecnologia, novos desafios se apresentam aos operadores do direito na medida em que as Tecnologias da Informação e Comunicação (TICs) desempenham seu papel de forças-motrizes das transformações contemporâneas. Noutras palavras, a tecnologia deixa de se apresentar como um elemento autônomo e desconectado da sociedade, da economia, da cultura e do direito, e passa a constituir o próprio amálgama das inter-relações individuais – ressignificadas a largos passos. A tecnologia tem o potencial de alterar a adequação dos regimes de responsabilidade civil dian...
Following the rapid development of connected technologies, which are now highly sophisticated and spread across the globe, Society 5.0 has emerged and brought with it a dramatic societal shift. In 1998, Kodak, the world leader in photographic film, had 170,000 employees. It thus seemed unthinkable that just 3 years later, the majority of people would stop taking photographs to paper film and that Kodak would have disappeared. These are the stakes of this new society that is taking shape. This book, which does not seek to critique current politics, management or marketing literature, aims to fight against the excesses of this often-misunderstood Society 5.0 and to present the ideas and associated technologies that comprise it, all working towards societal improvement. Among these technologies, artificial intelligence, robotics, digital platforms and 3D printing are undoubtedly the most important, and thus receive the greatest focus.
In the eight pieces that make up Land Without History, first published in Portuguese in 1909, Euclides da Cunha offers a rare look into twentieth century Amazonia, and the consolidation of South American nation states. Mixing scientific jargon and poetic language, the essays in Land Without History provide breathtaking descriptions of the Amazonian rivers and the ever-changing nature that surrounds them. Brilliantly translated by Ronald Sousa, Land Without History offers a view of the ever changing ecology of the Amazon, and a compelling testimony to the Brazilian colonial enterprise, and its imperialist tendencies with regard to neighboring nation-states.
Drawing out her mother's childhood memories of life in southern Italy at the dawn of the twentieth century, Mary Melfi takes an unconventional approach to autobiographical writing. Italy Revisited serves as a double memoir, told in dialogue between a mother and a daughter. The conversation takes the reader to a medieval town high up in the mountains where time is told by the shadow the sun casts, where wheat and olive oil are the currency of choice (barter is in use), and where marriage is as much about property as it is about love. As they re-create that vanished world, the pair finds greater understanding of the tumultuous relationships that sometimes exist between immigrant mothers and their children.
Shortlisted for the International Booker Prize 2020 1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina’s foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation—and what it portends for future practices of art and theory, culture and politics.
This reference tool covers the technology and methods of treatment for both types of lacquer and assesses current practices. It describes production technology and decorative techniques and discusses the materials used in Asian lacquer.