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More Than Singing
An eminent soprano distills a lifetime of work, research, and experience into concise, revealing lessons in the interpretation of songs by Schubert, Brahms, Schumann, Haydn, Beethoven, Strauss, Mahler, Debussy, and other masters.
Opera Viva
It started with a festival - three classic operas performed in a theatre in Toronto. But when it became apparent that there was a need for a national opera company, an organization was founded that would go on to become one of the largest performing arts organizations in the country. The Canadian Opera Company was born in 1950, and is now one of the major opera companies in North America. The Company has toured extensively throughout Canada and the United States, and has delighted audiences as far away as Australia and Hong Kong, all the while finding the time to record frequently and develop special operatic presentations for children. More than just a group of performers, the COC also prov...
Twenty-Three Opera Arias for Sopranos
Rich selection spans the dawn of Italian opera through the late 19th century. Featured composers include Caccini, Rameau, Mozart, Beethoven, Rossini, Verdi, Bizet, and many others.
Twenty-Three Opera Arias for Sopranos
Rich selection spans the dawn of Italian opera through the late 19th century. Featured composers include Caccini, Rameau, Mozart, Beethoven, Rossini, Verdi, Bizet, and many others. Original lyrics with separate English translations.
Ernest Newman
Frontcover -- Contents -- List of Figures -- Preface and Acknowledgements -- Chronology of Newman's Life and Works -- Abbreviations -- 1 Ernest Newman and the Challenge of Critical Biography -- PART I The Freethought Years -- 2 Formation of a Critical Sensibility: The 1880s and 1890s -- 3 Social, Literary and Musical Criticism: 1893-1897 -- 4 A Rationalist Manifesto: Pseudo-Philosophy at the end of the Nineteenth Century, 1897 -- 5 Music History and the Comparative Method: Gluck and the Opera, 1895 -- PART II The Mainstream Years -- 6 From Manchester to Moscow: Essays on Music, 1900-1920 -- 7 'The World of Music': Essays in the Sunday Times, 1920-1958 -- 8 Biographical and Musicological Tensions: The Man Liszt, 1934 -- 9 Sceptical and Transforming: Books on Wagner, 1899-1959 -- 10 Conclusion: Ernest Newman Remembered -- Appendix: Newman's Freethought Lectures, 1894-1896 -- Bibliography -- Index
Hugo Wolf
The tragic story of an erratic genius's life and a survey of some of his works, including his art songs and operas. "Very interesting and very stimulating." — The New York Times.
Operas in English
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
Franz Schreker, 1878-1934
Franz Schreker was the most frequently performed opera composer of his generation. His controversial works dominated the central European repertory in the years after the First World War and exercised a major influence on such younger contemporaries as Alban Berg, Kurt Weill, and Ernst Krenek. Forced into retirement by Hitler's racial decrees in 1933, the composer, his music banned, died a broken man. Thereafter Schreker became a forgotten chapter in the history of new music. Schreker's music is only now beginning to enjoy a revival. This first major biography not only introduces the reader to this important repertory, but sets the composer's life and works in the context of his turbulent times. Franz Schreker is a dramatic narrative of an artist poised between the intoxicating late Romanticism of fin-de-siecle Vienna and the sober "New Objectivity" of Weimar Berlin, between a precipitous rise to fame and an equally sudden fall from favor in which aesthetic fashion and political intrigue played their parts. Above all, the Schreker phenomenon can provide a key to understanding the evolution of musical thought during the problematic years before and after the First World War.
Opera Canada
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The Unlikely Pioneer
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