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Volume 1 of Theaters and Public Sphere in a Global and Digital Society inquires theatre, in all of its accepted meanings, in its relationship with society, institutions, cultural and local norms, and the collective imagination which these reveal.
One of a series which discusses topics of interest in theatre studies from various perspectives. Part 28 includes discussions of 'Mother Courage' at the Citizens, 1990, by Margaret Eddershaw, and Wole Soyinka's 'Death and the King's Horseman', at the Royal Exchange, 1990, by Martin Banham.
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from magisterial round-ups by leading critics in Europe (Peter Hepple of The Stage) and North America (Jim O'Quinn of American Theatre) to what are sometimes literally war-torn countries such as Iran or Sierra Leone.
Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
L'ouvrage présente les notions fondamentales du développement psychique de l'enfant entre la naissance et l'approche de la puberté en donnant de cette évolution une image simple et concise mais rigoureuse. Tenant compte des dernières recherches, l'auteur met à la disposition de tous ceux que leurs activités ou leurs responsabilités placent devant le problème de l'enfance une description concrète du développement psychologique de l'enfant. Chaque stade, depuis le premier âge jusqu'à la maturité enfantine, est caractérisé et largement commenté.
In June 1965 a group of dedicated professional artists of the theatre met in Paris, France, to create the International Association of Theatre for Children and Youth (ASSITEJ). This edition covers the organization from 1976-1990, a period of the greatest divisiveness, which ultimately resulted in a rededication and a worldwide expansion under new leadership.
L'acteur qui s'approprie le texte d'un auteur, le metteur en scène qui en déploie l'esthétique, le traducteur, l'adaptateur, sont autant de médiateurs théâtraux incontournables. La médiation c'est aussi cet espace intermédiaire entre la création des artistes et la réception des spectateurs (information, promotion, diffusion, programmation, critique, animation, formation, médias ...).
The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
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