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The act of drawing has long been considered the foundation of an artistic education, and the life class essential to the formation of an artists style and technique. Yet in the contemporary art world drawing is increasingly regarded as a medium in its own right, and the figure as a subject for ongoing exploration well beyond the sketchbook. Drawing People is a thoughtful and beautifully illustrated survey of the most compelling and inventive drawings of the human form being produced today. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration. Five chapters Body, Self, Personal Lives, Social Reality and Fictions include short introductions outlining each theme, followed by commentaries on individual artists exploring their style, ideas and techniques, accompanied by finely reproduced images of their recent work.
How contemporary artists draw the human figure in an affordable, up-to-date and well-illustrated survey, covering an eclectic range of drawing styles and media Drawing Peopleis a thoughtful and beautifully illustrated survey of the most compelling and inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion, as well as fundamental questions about identity. Five chapters―Body, Self, Personal Lives, Social Reality...
Artists featured include Tacita Dean, Katie Paterson, Nina Canell, Pablo Bronstein, Charles Le Brun, Gerard Byrne, Phillip Henry Gosse, John Dee, Adam Broomberg and Oliver Chanarin, Corinne May Botz, Gunda Forster, Matt Mullican, Toril Johannessen, Anna Atkins, Nina Katchadourian, Laurent Grasso, Salvatore Arancio, Aurelien Froment, Leopold and Rudolph Blaschka, and the taxidermy of Thomas Grunfeld.
Exhibition catalogue. Curators Anna Colin & Lydia Yee have chosen 42 contemporary artists for this years touring exhibition. The exhibition will tour Leeds Art Gallery, the Scottish National Gallery of Modern Art (Edinburgh), Norwich University of the Arts and Norwich Castle Museum and Art Gallery, as well as the John Hansard Gallery (University of Southampton) and the Southampton City Art Gallery between October 2015 and January 2017.
Medieval fools hatched from eggs, pigs roasting butchers on spits, battles between pots and pans, a transvestite performance artist and a tattooed lady: these are a few examples of the startling and provocative images in this exploration of 'the carnival sense of the world' in Western art from the Middle Ages to the present day. The inspiration for this account is drawn from the early twentieth-century Russian literary critic Mikhail Bakhtin who in Rabelais and his World invoked the transforming power of 'festive laughter ... that peculiar folk humour that has always existed and has hever merged with the official culture of the ruling classes'.
A rigorous, rewarding work, "Quoting Caravaggio" is at once a meditation on history as a creative, nonlinear process; a study of the work of Caravaggio and the Baroque; and a brilliant critical exposition of contemporary artistic expression. 62 color plates. 25 halftones.
A wide-ranging look at surrealist and postsurrealist engagements with the culture and imagery of childhood We all have memories of the object-world of childhood. For many of us, playthings and images from those days continue to resonate. Rereading a swathe of modern and contemporary artistic production through the lens of its engagement with childhood, this book blends in-depth art historical analysis with sustained theoretical exploration of topics such as surrealist temporality, toys, play, nostalgia, memory, and 20th-century constructions of the child. The result is an entirely new approach to the surrealist tradition via its engagement with "childish things." Providing what the author describes as a "long history of surrealism," this book plots a trajectory from surrealism itself to the art of the 1980s and 1990s, through to the present day. It addresses a range of figures from Marcel Duchamp, Giorgio de Chirico, Max Ernst, Hans Bellmer, Joseph Cornell, and Helen Levitt, at one end of the spectrum, to Louise Bourgeois, Eduardo Paolozzi, Claes Oldenburg, Susan Hiller, Martin Sharp, Helen Chadwick, Mike Kelley, and Jeff Koons, at the other.
Few landscape designers are more admired than Belgium's Jacques Wirtz (born 1924), as evidenced by the huge success of The Wirtz Gardens, which surveyed 57 private and public gardens designed by Wirtz, many in collaboration with his two sons, Martin and Peter, in locations around the world. Like the veteran art dealer whose personal collection one imagines to be stupendous, the volume raised the question of what Wirtz's own garden looked like. The Wirtz Private Garden, first published in 2009 and now back in print, answers that question. At the family home in Schoten, near Antwerp--a former gardener's cottage attached to an 18th-century estate--Wirtz and his family have created a laboratory ...
Throughout this important volume, the author provides an invaluable addition to the limited literature now available on the visual images associated with slavery and abolition, integrated into a sophisticated analysis of their meaning and legacy today. of color images. 150 illustrations.
Rhapsodies in Black takes a fresh look at the Harlem artistic renaissance, contesting narrow interpretations of the movement and recognising its global significance.