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Remembering, Forgetting and City Builders
Remembering, Forgetting and City Builders critically explores how urban spaces are designed, planned and experienced in relation to the politics of collective and personal memory construction. Bringing together case studies from North America, South Asia, Eastern Europe and the Middle East, the book analyzes how contested national, ethnic and cultural sentiments clash in planning and experiencing urban spaces. Going beyond the claim that such situations exist in many parts of the world because communities construct their 'past memories' within their current daily life and future aspirations, the book explores how the very acts of planning and urban design are rooted in the existing structures of hegemonic power. With contributors from the fields of architecture, geography, planning, anthropology and sociology, urban studies and cultural studies, the book provides a rich, interdisciplinary view into the conflicts over memory and belonging which are spatially expressed and mediated through the official planning apparatus.
Luc Peire
None
Art World City
“Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based ar...
Conserving Canvas
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...
Vladimir Yankilevsky
None
Theology of Contemporary Art
In today's world we want everything to be clear, effective and instantaneous, a useless desire that, in addition, locks the human being into only appearance. Contemporary art, as a reflection of the concerns and needs of today's humanity demands attention, silence, reflection and a discerning eye. For this reason, it becoems a privileged platform for the encounter with Mystery, with a God who escapes all configurations or concepts. This function is what makes the work of the Dominican, Kim En Joong OP, an internationally recognised artist, so remarkbale. These pages deepen, from a novel theologhical perspewctive, the different elements that nmake up his work: colour, shape, light, composition ... a persoewctrive that guides us towards the contemplation of the Mystery that the painter shows us. A fascinating book, which is one and the same time accesible and a gift for all, believer or not, who feels the thirst for depth.
Tribal Art
Quarterly journal of the art, culture and history of traditional peoples and Old World civilizations.
Third Text
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. Third Text addresses the complex cultural realities that emerge when different worldviews meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic criteria.
