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Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the 'nihilism' of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts which opens them to the invisible.
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International scholars from architecture, design, urban planning, and interior design here reappraise modern life in the context of practices of dwelling over the span of the postwar period. Reassessing culture and the economic and political effects on civilian life, this collection looks at what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism's ordinary denizens.
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This publication aims to demonstrate the great diversity and versatility of the familiar material of ceramic. In a selection of works by architects such as Eduardo Souto de Moura, Caruso St. John, Lacaton Vassal, FOA and EMBT. Whether mass-produced or made-to-measure, contemporary architecture puts ceramics to use in unexpected and innovative ways, as a traditional cladding, as a ventilated faade, as a skin or as building material.