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Sonny Graham is a hotshot businessman on his way up the corporate ladder. He has a beautiful wife, two terrific children, a big house and a booming career. On the surface everything is perfect in his upscale life. But danger is lurking nearby as someone from Sonny's past is stalking his family with the intent of settling old scores. In an instant Sonny's world is turned upside down and his family is in great peril, fleeing for their lives. The situation intensifies as the lunatic gets bolder and grows closer. It is just a matter of time before there is a confrontation and everyone knows that the outcome could be very ugly.
"Brilliant, beautiful, difficult and doomed, Iris Wilkinson (known as the writer Robin Hyde) led a short, tumultuous and incredibly productive life. Here her story is told for the first time in a dramatic and deeply moving narrative. Researched by both authors from 1965 to 1971, it was written in a first draft by Iris Wilkinson's friend, Gloria Rawlinson; since Rawlinson's death in 1995 it has been revised and completed by Derek Challis, Wilkinson's son. It includes appalling accounts of hidden pregnancies, harsh experience as a solo mother, dependence on drugs, intimate acquaintance with sexism and poverty, mental breakdown, and a perilous trip to China in wartime. There are deep friendships and hurtful betrayals. Always there is a dedicated and determined commitment to writing. ..."--Jacket.
A rich and riveting record of both literary and social value. Frank Sargeson is one of New Zealand's best-loved and most important writers. Besides the ground-breaking short stories, he wrote memoirs, novels, and plays. He encouraged at least three generations of younger writers and, for most of his adult life, the famous bach behind the hedge at 14 Esmonde Road was at the heart of New Zealand's artistic and literary world. Sargeson was also a prolific letter writer, and this selection of 500 of the most fascinating ranges over half a century, from 1927 to 1981. The letters are immensely readable, vividly capturing his life and times, his milieu and his personality. Frank loved gossip, could be bitchy and peevish, but also kind, affectionate, funny, ribald, astute. This collection, selected, edited and annotated by Sarah Shieff, is a document of extraordinary significance for all those interested in New Zealand's literary and social history.
Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.
Utting recent events in broad historical perspective, this volume looks at the situation in Croatia, discusses the political and economic developments that have taken place since 1991 and 1998 and explores the daily life and major cities of its people.
An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film. Features of the third edition include: *full coverage of all the key topics at undergraduate level *comprehensive and up-to-date information and new case studies on recent films such as Gladiator, Spiderman, The Bla...